guardian | Technically, in the context of Dieudonné's tour, the reasoning given
for a ban is not a breach of the law on hatred and Holocaust denial, but
a potential threat to public order. The invocation of a threat to
public order as an ad hoc censorship tool is not exactly ideal, is it?
But of course, the Loi Gayssot forms the backdrop and the intellectual
and legal justification for everything that follows. So apart from the
moral argument about censorship, the questions are: what is the purpose
of the law? And has it worked? If the purpose of the law is to discredit
Holocaust "revisionists" then I would suggest it has not achieved its
aim. Dieudonné sells out shows; the aforementioned Bruno Gollnisch is
elected to the European parliament.
Is the aim to prevent the rise
of the far right? Again, it's arguable that it has failed. The Front
National has maintained a percentage of the vote in the teens, about the
same as it did when the law was introduced.
One could say that
without the law, Holocaust revisionism and antisemitism might be even
stronger, but the fact is, this isn't a lab experiment: there's no
"control" where we can see what alternative outcome might be. What we do
know is that we have hundreds of young French people getting
transgressive kicks by posting pictures of themselves giving "inverted
Nazi salutes" at Jewish sites.
AH I think the law
obviously has its limits here. The reality is that antisemitism lies
deep at the core of French history and society and no legislation is
ever going to change that – it's damage limitation at best. But I don't
buy the argument either that French law has created this situation, or
that it's making it worse. I'm thinking here of the example of LF Céline
– arguably the greatest French novelist of the 20th century, and a
vicious antisemite whose pro-Hitler tracts were so virulently
anti-Jewish that they shocked the Nazi authorities. These books have
quietly not been reprinted since the 1930s – or sell at inflated prices
in dodgy editions at rightwing meetings across Europe.
The point I'm making here is that, in a sense you're right – no law
will ever control this mindset. I think Sartre gets it right in his
essay Portrait of an Antisemite, when he says that French antisemitism
(including Céline) comes from a sense of "inauthenticity" – unconvinced
of his own place in society, the antisemite finds comfort in the reality
of Jew-hatred. This is what is happening in the banlieue – cut
off from and humiliated by the perceived French establishment. The way
out of this is hard and complicated – bringing those who feel excluded
back into the centre of political and cultural life. It's even harder to
do this when the likes of Dieudonné, who thrives on division and
disposession, is obviously working against this, evoking all the old
ghosts of the French past. I'm not really making the case for
censorship, just sounding a note of caution. In the end it may well be
that what France needs is not political or legal solutions, or even
psychiatry, but an exorcist.
0 comments:
Post a Comment