firstlook | Matt Taibbi, who joined First Look Media just seven months ago, left
the company on Tuesday. His departure—which he describes as a refusal to
accept a work reassignment, and the company describes as a
resignation—was the culmination of months of contentious disputes with
First Look founder Pierre Omidyar, chief operating officer Randy Ching,
and president John Temple over the structure and management of Racket, the digital magazine Taibbi was hired to create. Those disputes were exacerbated by a recent complaint from a Racket employee about Taibbi’s behavior as a manager.
The departure of the popular former Rolling Stone writer is a serious setback for First Look in its first year of operations. Last January, Omidyar announced with great fanfare
that he would personally invest $250 million in the company to build “a
general interest news site that will cover topics ranging from
entertainment and sports to business and the economy” incorporating
multiple “digital magazines” as well as a “flagship news site.”
One year later, First Look still has only one such magazine, The Intercept.
Omidyar has publicly and privately pledged multiple times that First
Look will never interfere with the stories produced by its journalists.
He has adhered to that commitment with both The Intercept and Racket, and Taibbi has been clear that he was free to shape Racket‘s journalism fully in his image. His vision was a hard-hitting, satirical magazine in the style of the old Spy
that would employ Taibbi’s facility for merciless ridicule, humor, and
parody to attack Wall Street and the corporate world. First Look was
fully behind that vision.
Taibbi’s dispute with his bosses instead centered on differences in
management style and the extent to which First Look would influence the
organizational and corporate aspects of his role as editor-in-chief.
Those conflicts were rooted in a larger and more fundamental culture
clash that has plagued the project from the start: A collision between
the First Look executives, who by and large come from a highly
structured Silicon Valley corporate environment, and the fiercely
independent journalists who view corporate cultures and management-speak
with disdain. That divide is a regular feature in many newsrooms, but
it was exacerbated by First Look’s avowed strategy of hiring exactly
those journalists who had cultivated reputations as anti-authoritarian
iconoclasts.
The Intercept, through months of disagreements and
negotiations with First Look over the summer, was able to resolve most
of these conflicts; as a result, it now has a sizable budget,
operational autonomy, and a team of talented journalists, editors,
research specialists, and technologists working collaboratively and
freely in the manner its founders always envisioned.
When First Look was launched last October, it was grounded in two
principles: one journalistic, the other organizational. First,
journalists would enjoy absolute editorial freedom and journalistic
independence. Second, the newsroom would avoid rigid top-down
hierarchies and instead would be driven by the journalists and their
stories.
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