The Plague is US

off-guardian |  The outward story of The Plague revolves around a malignant disease that breaks out in a town that is quarantined when the authorities issue a state of emergency. After first denying that they have a problem, the people gradually panic and feel painfully isolated. 

Death fear runs rampant, much like today with the coronavirus. The authorities declare martial law as they warn that the situation is dire, people must be careful of associating, especially in groups, and they better obey orders or very many will die. So the town is cordoned off.

Before this happens and the first signs that something is amiss emerge, the citizens of the town of Oran, Algeria remain oblivious, for they “work hard, but solely with the object of getting rich.” Bored by their habits, heavily drugging themselves with drink, and watching many movies to distract themselves, they failed to grasp the significance of “the squelchy roundness of a still-warm body” of the plague-bearing rats that emerge from their underworld to die in their streets.

“It was as if the earth on which our houses stood were being purged of their secret humors; thrusting up to the surface the abscesses and pus-clots that had been forming in its entrails.” To them the plague is “unthinkable,” an abstraction, until all their denials are swept aside as the truth emerges from the sewers and their neighbors and families die from the disease. 

“Stupidity has a way of getting its way;” the narrator, Dr. Rieux tells us, “as we should see if we were not always so wrapped up in ourselves …. plagues and wars take people equally by surprise.”

The American people are wrapped up in themselves. Nor do they recognize the true rats. They are easily surprised; fooled would be a better word. 

Camus uses a physical plague to disguise his real subject, which is the way people react when they are physically trapped by human rats who demand they obey orders and stay physically and mentally compliant as their freedom is taken from them.