jacobinmag | Simply put, Jessica Krug was a minstrel act, a racist caricature. But
while Krug’s persona was certainly offensive, what’s far more offensive
is that there is a demand for this kind of performance in liberal
academic circles.
I don’t know George Washington University history professor Jessica
Krug. I have no special insights into either her motives or personal
struggles, nor do I have any reason to feel personally betrayed by the
recent revelations that she had been passing for black for many years.
But while the court of public opinion has already found her guilty of
at least one, perpetual count of “cultural appropriation,” in my view
this conclusion misses the mark. To be clear, if I did not find “Jess La
Bombalera” offensive, I wouldn’t have bothered writing this essay.
Still, if one considers, first, that culture — the folk’s shared
sensibilities informed by common experiences — exists, on some level, to
be appropriated, second, the variety of black experiences precludes the
existence of a singular black culture, and third, the implications for
mass culture of thirty-years of mainstream hip hop, then calling Krug’s
performance “appropriation of black culture” only compounds the problem
Krug personifies.
If Krug is not guilty of appropriating “black culture,” she is guilty
of attempting to establish her bona fides as a scholar of black people
through a persona that both pandered to and reinforced commonplace
stereotypes about black and brown people. Simply put, Krug was a
minstrel act, a racist caricature.
But while Krug’s persona was certainly offensive, what’s far more
offensive is that there is a demand for this kind of performance in some
liberal academic circles.
Because I’ve lived most of my life either on the near periphery or
within academia, I’ve had nearly four decades of experience with the
creepy essentialist language of “racial authenticity” that lives and
thrives in more than one corner of putatively liberal academia. As a
result, I learned a long time ago that some white liberals expect black
and brown people to “perform” in ways that comport with their
well-meaning, usually underclass-informed, and fundamentally racist
expectations of black people.
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