Wednesday, May 23, 2018

Trump Smacking Amazon While Afrikan Liberation Peddling "Neurospeculative AfroFeminist" Cloth

thenextweb |  The Guardian reports Berlin-bound artist and independent researcher Adam Harvey is developing a new technology which aims to overwhelm and confuse computer vision systems by feeding them false information.

The Hyperface Project, as Harvey calls it, revolves around printing deceitful patterns onto attire and textiles with the purpose of rendering your face illegible to surveillance systems.

The method essentially dodges facial recognition by presenting computer vision devices with an overload of patterns closely resembling facial features like eyes and mouths.

As Harvey explains, the Hyperface technology ultimately prevents computers from scanning your face by inundating “an algorithm with what it wants, oversaturating an area with faces to divert the gaze of the computer vision algorithm.”

The patterns, which Harvey developed in collaboration with interaction studio Hyphen-Labs, can then be worn to shield off the areas facial recognition systems seek to interpret.

MIT |  Sue Ding interviewed the creators of NeuroSpeculative AfroFeminism, an ambitious and richly imagined project at this year’s Sundance New Frontier.  Artists Carmen Aguilar y Wedge, Ashley Baccus Clark, Nitzan Bartov, and Ece Tankal are part of of Hyphen-Labs, a global team of women of color who are doing pioneering work at the intersection of art, technology, and science. Together they draw on a formidable range of expertise, including engineering, molecular biology, game design, and architecture.

NeuroSpeculative AfroFeminism consists of three components. The first is an installation that transports visitors to a futuristic and stylish beauty salon. Speculative products designed for women of color are displayed around the space. They include sunscreen for dark skin, a scarf whose pattern overwhelms facial recognition software, earrings that can record video and audio in hostile situations, and a reflective visor that lets wearers see out while hiding their faces.

The second part of the project is a VR experience that takes place at a “neurocosmetology lab” in the future. Participants see themselves in the mirror as a young black girl, as the lab owner explains that they are about to receive Octavia Electrodes—cutting edge technology involving both hair extensions and brain-stimulating electrical currents. In the VR narrative, the electrodes then prompt a hallucination that carries viewers through a psychedelic Afrofuturist space landscape.

The final component of the project is Hyphen-Labs’ ongoing research about how VR can affect viewers, potentially reducing bias and fear by immersing participants in positive, engaging portrayals of black women. The team would eventually like to use functional magnetic resonance imaging (fMRI) technology to study how  participants respond to the experience.