unz | Among the many factors that contribute to death is one that is
scarcely noticed: a deadly self-conception. The classic example is the
person who defines himself as a fearsome, brave warrior anxious to risk
everything—including almost certain death—for personal glory. The
pursuit of pleasure can also be self-destructive. For example, in the
1970s and 80’s thousands of young gay males came to believe that being
authentically gay entailed engaging in promiscuous unprotected anal sex.
Unfortunately, a similar death-inviting self-image currently
flourishes among countless young, underclass black males. Central is
resisting police authority, energetically fighting back, or at least
fleeing if arrested regardless of circumstances. Eric Garner was the
classic example. Surely he must have realized the futility of escape
since he was surrounded by multiple police officers and even if he did
manage to momentarily break free, he would have been quickly apprehended
(and the resisting arrest effort would compound his punishment). Did
Michael Brown reasonably expect that wrestling with Officer Wilson and
shooting him with the policeman’s own gun was a prudent strategy to
escape the relatively minor charges of robbery and obstructing traffic?
What is the benefit of taunting and mocking police officers when they
try to arrest you? In other words, rational calculations in such police
encounters cannot justify the risky misbehavior. Rather, a cultural
ethos exists, perhaps comparable to WW II Japanese banzai charges where certain death in battle outshined cowardly surrender.
This “resistance” mentality might even be viewed as an anti-law
enforcement “lifestyle.” It is reflected in today’s “ghetto look” where
youngsters purposely imitate those who’ve been arrested–beltless
trousers, untied shoes, and a scowling angry demeanor. Popular
tee-shirts now declare “Snitches Get Stiches.” The anti-cop message
is ubiquitous in rap and hip-hop music. Twenty-five years ago the group
N.W. A. released what became a classic—“Fuck tha Police” and it has
created a multi-million dollar musical genre ever sensitive to the
latest incident of alleged police brutality. Following Ferguson
anti-police songs were released by G-Unit, Public Enemy, the Game among
several others. Indeed, some blacks in Ferguson now celebrate Michael Brown as a hero. And, of course, there’s the anti-cop Black Lives Matter—fry them like bacon–Movement ever anxious to portray those killed by resisting arrest saint-like martyrs.
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