Visual Capitalist
Monday, June 22, 2015
Sunday, June 21, 2015
radical extremism underlying domestic terrorism in the u.s.
By CNu at June 21, 2015 0 comments
Labels: big don special , Race and Ethnicity
confederate flag head-fake from the inconvenient truth of domestic terrorism....,
“Terrorism is act of violence done or threatens to in order to try to influence a public body or citizenry so it’s more of a political act and again based on what I know so more I don’t see it as a political act. Doesn’t make it any less horrific the label but terrorism has a definition under federal law,” he said during a visit to Baltimore.
By CNu at June 21, 2015 7 comments
Labels: American Original , Ass Clownery , Livestock Management , propaganda
last rhodesian canonical big donism...,
By CNu at June 21, 2015 0 comments
Labels: big don special
anti-intellectualism
From its colonial beginnings, American society was a "decapitated" society—largely lacking the topmost social layers of European society. The highest elites and the titled aristocracies had little reason to risk their lives crossing the Atlantic and then face the perils of pioneering. Most of the white population of colonial America arrived as indentured servants and the black population as slaves. Later waves of immigrants were disproportionately peasants and proletarians, even when they came from Western Europe [...] The rise of American society to pre-eminence as an economic, political and military power was thus the triumph of the common man and a slap across the face to the presumptions of the arrogant, whether an elite of blood or books.
"We always preferred an ignorant bad man to a talented one, and, hence, attempts were usually made to ruin the moral character of a smart candidate; since, unhappily, smartness and wickedness were supposed to be generally coupled, and [like-wise] incompetence and goodness."[15]
By CNu at June 21, 2015 0 comments
Labels: Livestock Management
Saturday, June 20, 2015
we will all perish because the poor want to become rich and the rich want to stay that way
Pope Francis has called on the world’s rich nations to begin paying their “grave social debt” to the poor and take concrete steps on climate change, saying failure to do so presents an undeniable risk to a “common home” that is beginning to resemble a “pile of filth”.The pope’s 180-page encyclical on the environment, released on Thursday, is at its core a moral call for action on phasing out the use of fossil fuels.But it is also a document infused with an activist anger and concern for the poor, casting blame on the indifference of the powerful in the face of certain evidence that humanity is at risk following 200 years of misuse of resources.
By CNu at June 20, 2015 0 comments
Labels: Great Filters
jeffrey sterling took on the cia and lost everything...,
By CNu at June 20, 2015 0 comments
Labels: necropolitics , niggerization , psychopathocracy
Friday, June 19, 2015
evangelicals centered in belief reject authentic christians and everyone else on global warming....,
By CNu at June 19, 2015 21 comments
Labels: Bibtardism , not-seeism , shameless
authentic christendom united on ecumenism, ecology, economy...,
By CNu at June 19, 2015 0 comments
Labels: as above-so below , cooperation , ethics , evolution , hope , jesuitical , People Centric Leadership , Strict Father
blackest woman on the planet triggered rahowa...,
By CNu at June 19, 2015 0 comments
Labels: American Original , cowardice , Race and Ethnicity
Thursday, June 18, 2015
genetic engineering: technical challenge or moral challenge?
By CNu at June 18, 2015 7 comments
Labels: scientific morality
optogenetics meets crispr
By CNu at June 18, 2015 0 comments
Labels: Genetic Omni Determinism GOD
Wednesday, June 17, 2015
focus less on the hon.sis.rachel and more on what her example illuminates
By CNu at June 17, 2015 11 comments
Labels: school
the root's entire staff is so up in its feelings - that they're incoherent...,
By CNu at June 17, 2015 0 comments
Labels: A Kneegrow Said It , Ass Clownery
rachel discrimination is a butt-hurt weak negroe thang, you wouldn't understand....,
This, of course, is easily understood if one stops to realize that the Aframerican is merely a lampblacked Anglo-Saxon. If the European immigrant after two or three generations of exposure to our schools, politics, advertising, moral crusades, and restaurants becomes indistinguishable from the mass of Americans of the older stock (despite the influence of the foreign-language press), how much truer must it be of the sons of Ham who have been subjected to what the uplifters call Americanism for the last three hundred years. Aside from his color, which ranges from very dark brown to pink, your American Negro is just plain American. Negroes and whites from the same localities in this country talk, think, and act about the same. Because a few writers with a paucity of themes have seized upon imbecilities of the Negro rustics and clowns and palmed them off as authentic and characteristic Aframerican behavior, the common notion that the black American is so “different” from his white neighbor has gained wide currency. The mere mention of the word “Negro” conjures up in the average white American’s mind a composite stereotype of Bert Williams, Aunt Jemima, Uncle Tom, Jack Johnson, Florian Slappey, and the various monstrosities scrawled by the cartoonists. Your average Aframerican no more resembles this stereotype than the average American resembles a composite of Andy Gump, Jim Jeffries, and a cartoon by Rube Goldberg.
Again, the Aframerican is subject to the same economic and social forces that mold the actions and thoughts of the white Americans. He is not living in a different world as some whites and a few Negroes would have me believe. When the jangling of his Connecticut alarm clock gets him out of his Grand Rapids bed to a breakfast similar to that eaten by his white brother across the street; when he toils at the same or similar work in mills, mines, factories, and commerce alongside the descendants of Spartacus, Robin Hood, and Erik the Red; when he wears similar clothing and speaks the same language with the same degree of perfection; when he reads the same Bible and belongs to the Baptist, Methodist, Episcopal, or Catholic church; when his fraternal affiliations also include the Elks, Masons, and Knights of Pythias; when he gets the same or similar schooling, lives in the same kind of houses, owns the same Hollywood version of life on the screen; when he smokes the same brands of tobacco and avidly peruses the same puerile periodicals; in short, when he responds to the same political, social, moral, and economic stimuli in precisely the same manner as his white neighbor, it is sheer nonsense to talk about “racial differences” as between the American black man and the American white man. Glance over a Negro newspaper (it is printed in good Americanese) and you will find the usual quota or crime news, scandal, personals, and uplift to be found in the average white newspaper—which, by the way, is more widely read by the Negroes than is the Negro press. In order to satisfy the cravings of an inferiority complex engendered by the colorphobia of the mob, the readers of the Negro newspapers are given a slight dash of racialistic seasoning. In the homes of the black and white Americans of the same cultural and economic level one finds similar furniture, literature, and conversation. How, then, can the black American be expected to produce art and literature dissimilar to that of the white American?
Consider Coleridge-Taylor, Edward Wilmot Blyden, and Claude McKay, the Englishmen; Pushkin, the Russian; Bridgewater, the Pole; Antar, the Arabian; Latino, the Spaniard; Dumas, père and fils,the Frenchmen; and Paul Laurence Dunbar, Charles W. Chestnut, and James Weldon Johnson, the Americans. All Negroes; yet their work shows the impress of nationality rather than race. They all reveal the psychology and culture of their environment—their color is incidental. Why should Negro artists of America vary from the national artistic norm when Negro artists in other countries have not done so? If we can foresee what kind of white citizens will inhabit this neck of the woods in the next generation by studying the sort of education and environment the children are exposed to now, it should not be difficult to reason that the adults of today are what they are because of the education and environment they were exposed to a generation ago. And that education and environment were about the same for blacks and whites. One contemplates the popularity of the Negro-art hokum and murmurs, “How-come?”
This nonsense is probably the last stand or the old myth palmed off by Negrophobists for all these many years, and recently rehashed by the sainted Harding, that there are “fundamental, eternal, and inescapable differences” between white and black Americans. That there are Negroes who will lend this myth a helping hand need occasion no surprise. It has been broadcast all over the world by the vociferous scions of slaveholders, “scientists” like Madison Grant and Lothrop Stoddard, and the patriots who flood the treasure of the Ku Klux Klan; and is believed, even today, by the majority of free, white citizens. On this baseless premise, so flattering to the white mob, that the blackamoor is inferior and fundamentally different, is erected the postulate that he must needs be peculiar; and when he attempts to portray life through the medium of art, it must of necessity be a peculiar art. While such reasoning may seem conclusive to the majority of Americans, it must be rejected with a loud guffaw by intelligent people.
By CNu at June 17, 2015 7 comments
Labels: Race and Ethnicity , The Hardline
too black, too strong - weak negroes not gonna get it
Dolezal’s name has been added to a running discussion of racial appropriation. Two weeks ago, Chet Haze, the putative rapper and son of the actor Tom Hanks, took to Instagram with a questionable syllogism. Because hip-hop is, in his view, “not about race,” and because he so closely identifies with the genre, he should be allowed to use the word “nigger” (or its variant “nigga”) without recrimination. His comments recalled the feeble musings of John Mayer, five years ago, when he lamented to Playboy that his level of black cred was high enough, his standing within the race so unimpeachable, that he ought to be able to toss the epithet with the same sort of entitlement as Jay Z. And last week, the Washington Post published a timeline of the career implosion of Iggy Azalea, the white Australian rapper notable for her transparent racial affectations.
Among African-Americans, there is a particular contempt, rooted in the understanding that black culture was formed in a crucible of degradation, for what Norman Mailer hailed as the “white Negro.” Whatever elements of beauty or cool, whatever truth or marketable lies there are that we associate with blackness, they are ultimately the product of a community’s quest to be recognized as human in a society that is only ambivalently willing to see it as such. And it is this root that cannot be assimilated. The white Negroes, whose genealogy stretches backward from Azalea through Elvis and Paul Whiteman, share the luxury of being able to slough off blackness the moment it becomes disadvantageous, cumbersome, or dangerous. It is an identity as impermanent as burnt cork, whose profitability rests upon an unspoken suggestion that the surest evidence of white superiority is the capacity to exceed blacks even at being black. The black suspicion of whites thus steeped in black culture wasn’t bigotry; it was a cultural tariff—an abiding sense that, if they knew all that came with the category, they would be far less eager to enlist.
By CNu at June 17, 2015 0 comments
Labels: Ass Clownery
Tuesday, June 16, 2015
raised by christian cultists, touched by "Jesus", and sheltered in immaculate complexion
The affidavit shows that after the allegations were reported in July 2013, a detective interviewed someone in Spokane as part of the investigation. The person's name is redacted in the report.
The alleged victim told investigators Joshua Dolezal warned, "Don't tell anyone or I'll hurt you," according to the affidavit. It also says the person decided to come forward after the birth of Joshua Dolezal's daughter because of concerns about the child's well-being.
He was charged in March 2014 and is free on $15,000 bail, according to court records.
Joshua Dolezal is scheduled to face trial in August. Neither Dolezal nor his Denver-based lawyers responded to messages seeking comment. Fifth Judicial District Attorney Bruce Brown also declined to comment.
Ruthanne and Larry Dolezal, in an interview about their daughter with Spokane television station KHQ last week, avoided questions about any family legal matters in Colorado.
"It's better if we don't (comment)," Larry Dolezal told the station. "It's a separate matter."
On NBC's Today, Dolezal's parents said Monday they disclosed their daughter's true race because they didn't want to lie to an inquiring reporter.
"I think Rachel has tried to damage her biological family," Ruthanne Dolezal said. She said Rachel began to "disguise herself" after her parents adopted four African-American children more than a decade ago.
By CNu at June 16, 2015 28 comments
Labels: The Straight and Narrow
history will not be kind to rachel discriminators...,
Rachal Dolezal seems clearly dedicated to Black folks and the extent of her identification with Black folks seems beyond reproach. She has caused no harm and done much good. No serious person would claim that working on behalf of the NAACP and as a temporary adjunct in Africana studies is for the money?
Throughout this purely political, purely schadenfreud laden episode, all the Rachel discriminators have only picked at what will serve their own agendi. Negroes losing their minds about her in that elected NAACP office remind me of nothing so much as teatards losing their minds about the elected Hon.Bro.Preznit in the White House. How dare that Muslim/Kenyan non-citizen ascend to the highest prestige echelon this patriot's country has to offer! Puh-leeze.....,
There is very obviously a serious underlying issue with her Ken Hamm cultist parents at the root of her estrangement from them, and, likely involved as the source/initiator of her choosing to identify with being Black. The mainstream narrative is working overtime to keep this as the great invisible elephant in the room. Though some may believe that the power of propaganda and the pervasiveness of mass stupidity so great that everyone can be kept distracted from this indefinitely. I don't think so. Based on the way she handled herself with Matt Lauer, I firmly believe that the real reason(s0 why she did what she did will eventually come out and be properly understood. F'zample, why does she have custody of Isaiah adopted by the Hammcultists?
Anyway, the other dimension of schadenfreud attendent to this story is the forbidden desire to discuss identity and genetic determinism in the light of the currently highly propagandized and forced acceptance of the Kardashian-related science project.
By CNu at June 16, 2015 15 comments
Labels: American Original , subrealist oeuvre... , What Now?
black like me
By CNu at June 16, 2015 0 comments
Labels: American Original , Living Memory , Race and Ethnicity
Fuck Robert Kagan And Would He Please Now Just Go Quietly Burn In Hell?
politico | The Washington Post on Friday announced it will no longer endorse presidential candidates, breaking decades of tradition in a...
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theatlantic | The Ku Klux Klan, Ronald Reagan, and, for most of its history, the NRA all worked to control guns. The Founding Fathers...
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Video - John Marco Allegro in an interview with Van Kooten & De Bie. TSMATC | Describing the growth of the mushroom ( boletos), P...
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dailybeast | Of all the problems in America today, none is both as obvious and as overlooked as the colossal human catastrophe that is our...