Thursday, April 21, 2022

Speaking Of Toxic White Women...,

greenwald  |  Even when one marvels, as one must, at all these impressive displays of cynical elite emotional manipulation and self-victimization, there is absolutely nobody who exploits it better than Taylor Lorenz. Raised in Old Greenwich, Connecticut, educated at Greenwich High School and lovely private boarding schools in the Swiss Alps, then graduating from the leafy private liberal arts Hobart and William Smith Colleges in bucolic upstate New York, Lorenz developed an intense and unyielding obsession with TikTok teenagers and their TikTok houses. This interest in the lives of online teenage culture was cultivated as she approached middle age, and she parlayed this unique interest into stints as a star front-page reporter with the two most powerful newspapers in the U.S.: The New York Times, which she quit two months ago, and The Washington Post, where she is now a star columnist.

It is almost impossible to envision a single individual in whom power, privilege and elite prerogative reside more abundantly than Taylor Lorenz. Using the metrics of elite liberal culture, the word “privilege” was practically invented for her: a rich straight white woman from a wealthy family raised in Greenwich, Connecticut and educated in actual Swiss boarding schools who now writes about people's lives, often casually destroying those lives, on the front pages of the most powerful East Coast newspapers on the planet. And yet, in the eyes of her fellow media and political elites, there is virtually no person more victimized, more deserving of your sympathy and attention, more vulnerable, marginalized and abused than she.

That is because — like Hillary Clinton and Elizabeth Warren and Labour MPs and columnists from The Independent and The Guardian and The New York Times who pioneered these paths of elite victimhood before her — Taylor Lorenz must sometimes hear criticisms of her work and her views. Virtually alone among journalists — who are famously universally beloved and never subjected to any form of real abuse: as Julian Assange will be happy to tell you if you can visit him in his high-security prison cell in the UK, or as these Sri Lankan journalists will explain from their hospital beds after being physically brutalized by the police for covering an anti-government protest on Thursday — Lorenz hears criticisms of her work, sometimes in the form of very angry and even profane or threatening tweets from anonymous people online. This not only means that she deserves your sympathy and concern but, more importantly, that you should heap scorn and recrimination on those who criticize her work because they are responsible for the trauma she endures. Most of all, you must never criticize her publicly for fear of what you might unleash against her.

In other words, Lorenz — like all employees of large media corporations or powerful establishment politicians in Washington and London — is and always should be completely free to continue to publish articles or social media posts that destroy the reputations of powerless people, often with outright lies. But you must never criticize her because she suffers from PTSD and other trauma as a result of the mean tweets that are unleashed by her critics. If you believe that is some sort of straw man exaggeration of what political and media elites are trying to do — create a shield of immunity around them while they retain the right to target, attack, insult, malign and destroy anyone they want — then it means you did not see the Emmy-worthy performances of Lorenz and various NBC News personalities on Friday afternoon during their five-minute segment on Chuck Todd's Meet the Press Daily designed to fortify this warped, inverted standard of morality and power.

The NBC segment was ostensibly designed to "cover” a “study” from January published by the Brookings Institutions and conducted by "NYU’s Center for Social Media and Politics and the International Women’s Media Foundation.” This study purported to forensically analyze — and I am not joking — the increase in criticisms of Taylor Lorenz as the result of a tweet I posted criticizing her (re-cast in elite parlance as “attacking” and "targeting” her), as well as a television segment that aired on Tucker Carlson's Fox program that also criticized the NYT reporter. You will never guess what the study revealed: namely, our criticism of her was responsible for a torrent of violent abuse, misogynistic rage, and traumatizing brutality against the corporate journalist:

Our analysis used large-scale quantitative data to assess how the public conversation surrounding these journalists changed in the aftermath of being targeted by prominent media personalities. The research findings showed sharp increases in harmful speech after the journalists were targeted by Carlson and Greenwald….After Carlson targeted Lorenz in a segment on his Fox News show, we found that one in two tweets mentioning Lorenz contained either toxic or insulting language….In Figure 2, we plot the 24-hour moving average of tweets before and after Greenwald targeted Lorenz. The figure shows that after Greenwald’s attack, the likelihood that tweets mentioning Lorenz would contain harmful speech increased by 144%, peaking on Aug. 15, 2021, two days after he targeted Lorenz.

Now, permit me to pause to acknowledge an important concession. The three academic scholars who are the authors of this groundbreaking study on online abuse of powerful elites are absolute experts in marginalization, victimhood and abuse. They have the lived experience of it. Indeed, nobody has suffered worse deprivations than they, so one should be extremely deferential in treating their pronouncements with the respect they deserve. Zeve Sanderson is a graduate of Brown University and the Masters’ Program of New York University and is now the Founding Executive Director at the NYU Center for Social Media and Politics. The other two have degrees from New York University and George Washington University and are also now employed studying “online extremism” at NYU, one of the country's most expensive private universities residing in the heart of Manhattan. So they clearly know marginalization and victimhood when they see it.

The on-screen title of the NBC segment was “1 in 3 Women Under 35 Experience Online Attacks.” This was an extremely odd title since they interviewed two journalists who recounted their online trauma, neither of whom fall into that category. Though Lorenz is often infantilized by her media supporters as some teenager or very young adult — a natural assumption, I suppose, given her obsession with teenaged TikTok houses and other adolescent online paraphernalia — in fact her age is expressed at anywhere in the range from 36 to 43 years old depending on her mood of the day.

The other featured journalist alongside her was Kate Sosin, who does not identify as a woman at all but rather “a proud trans person” who uses the pronouns “they/them"; by referring to Sosin repeatedly as a woman and using the pronouns “she” and “her” to reference their work, NBC repeatedly misgendered the journalist. Anyway, one would think, or at least hope, that if NBC is going to broadcast a report on “women under the age of 35 [who] have experienced harassment online,” they could find journalists who actually fall into that group and not misgender a journalist who is already complaining about abuse and trauma.

The NBC segment has to be watched in its entirety to be believed. Though the emotional performances are moving and spectacular — no denying that — it is important not to let your tears drown out the actual point they are making. It is a quite sinister and insidious lesson they are preaching. When powerful media elites receive mean and abusive tweets from anonymous and random people on Twitter, it is not the fault of those sending those tweets but rather the fault of anyone criticizing their work and their journalism. The only moral conclusion is clear: one should refrain from criticizing employees of media corporations lest one be responsible for unleashing traumatizing abuse at them. Marvel at this performative elite victimhood by all the actors involved:

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