Money Buys Society In The Capitalist World

counterpunch |  The end of Net Neutrality is as odious to us as the British Colonial government’s monopoly on salt was to the Indians. Salt was an essential ingredient for preserving life and health in humid, pre-refrigeration India. Net Neutrality and classifying the Internet as a public utility is essential for fair, affordable, and equal access to the Internet, and thus, the life of US citizens, as well as our innovation, creativity, information, education, research, marketplace, exchange, dialogue, organizing, and so much more.

Telecom giants like Comcast and Verizon have sought the end of Net Neutrality for years. This allows them to create a two-tiered system of Internet access, charging people for “fast lanes” and relegating everything else into “slow lanes”. The chilling effect this will have on our economy, research, movements, and society is incalculable. It is a massive advance for the corporate state’s takeover and privatization of all sectors of our nation. With it, they can control everything we see (or don’t see) through their greed. Money buys society in the capitalist world. For years, the Internet has opened up arenas of public space beyond what money can buy. The sheer volume of non-commercialized creativity and information online is staggering. It matches the incredible resources of the early commons. And, like the commons, the greedy have found a way to enclose them and charge us more and more for access.

Gandhi’s Salt Campaign offers us a model of how to get out of this mess – not just from the odious injustice of the end of Net Neutrality, but also from the tyranny of corporate rule. In 1930, salt was a keystone, yet stealth issue. When the Indian National Congress tasked Mohandas K. Gandhi with planning a new campaign against the British Empire’s colonial rule, no one expected the Salt Satyagraha would unravel the empire that the sun never set upon. Even Gandhi’s buddies were skeptical about salt. As for Lord Irwin, Viceroy of India, he famously stated that he wouldn’t lose any sleep over salt.

Instead, he lost the country.

Salt was an unexpected issue, but it touched every Indian citizen’s life. And, when Gandhi announced that he was going to use civil disobedience to directly disobey the “odious salt laws” and render them unenforceable through mass noncooperation, millions of ordinary Indians cheered. In defiance of the salt laws, they made, sold, and bought salt. Even more importantly, they openly refused to obey the British Empire and thus ousted the Brits from authority. This showed the Indians what Gandhi had been saying for decades: a paltry hundred thousand British cannot rule over 320 million Indians without the Indians cooperation. Deny your support, and British rule will crumble.

Fast forward to contemporary United States, which also has 320 million people and faces a parallel of colonial rule in the corporate state. In the case of telecom giants like Verizon and Comcast, well, they’re enjoying a monopoly on our modern-day salt of Internet access. With the repeal of Net Neutrality, they’re positioned to do like the British and start charging us for something we need for everyday life and survival.

But we can pull a Gandhi and make salt.

Ta-Nussy IS the Jay-Z Empty Neoliberal Face of Black Public Intellectualism

Guardian |  Ta-Nehisi Coates’ We Were Eight Years in Power, a book about Barack Obama’s presidency and the tenacity of white supremacy, has captured the attention of many of us. One crucial question is why now in this moment has his apolitical pessimism gained such wide acceptance?

Coates and I come from a great tradition of the black freedom struggle. He represents the neoliberal wing that sounds militant about white supremacy but renders black fightback invisible. This wing reaps the benefits of the neoliberal establishment that rewards silences on issues such as Wall Street greed or Israeli occupation of Palestinian lands and people.

The disagreement between Coates and me is clear: any analysis or vision of our world that omits the centrality of Wall Street power, US military policies, and the complex dynamics of class, gender, and sexuality in black America is too narrow and dangerously misleading. So it is with Ta-Nehisi Coates’ worldview.

Coates rightly highlights the vicious legacy of white supremacy – past and present. He sees it everywhere and ever reminds us of its plundering effects. Unfortunately, he hardly keeps track of our fightback, and never connects this ugly legacy to the predatory capitalist practices, imperial policies (of war, occupation, detention, assassination) or the black elite’s refusal to confront poverty, patriarchy or transphobia.

In short, Coates fetishizes white supremacy. He makes it almighty, magical and unremovable. What concerns me is his narrative of “defiance”. For Coates, defiance is narrowly aesthetic – a personal commitment to writing with no connection to collective action. It generates crocodile tears of neoliberals who have no intention of sharing power or giving up privilege.

When he honestly asks: “How do you defy a power that insists on claiming you?”, the answer should be clear: they claim you because you are silent on what is a threat to their order (especially Wall Street and war). You defy them when you threaten that order.

Old School Afrodemics vs. Chosen Afro-Fruiturist Media Faces

Jelani Cobb brings receipts

Philadelphia International Records: It Took A Lot To Create Great Art

wikipedia |  Kenneth Gamble and Leon Huff, the founders of Philadelphia International Records, met in 1964 while they were both playing as session musicians for various labels, including Philadelphia based Cameo-Parkway Records, whose building would later become home to Philadelphia International Records recording studio. In 1965, Huff joined Gamble's band, The Romeos, a popular moniker at the time, by replacing future Philadelphia International Records producer and arranger Thom Bell on piano. Kenny Gamble and The Romeos had seen little success up to that point playing for their label, Arctic Records, and split up soon after.

When the Romeos disbanded, Gamble and Huff went on to start one of the first iterations of Philadelphia International Records (which they named Excel and Gamble) after a visit to Motown Records in Detroit, to scope out the Motown setup. The success of their biggest signing, The Intruders, brought attention to Gamble and Huff, which allowed them to create Neptune Records in 1969. Neptune Records, a more ambitious project for the duo, was financed by Chess Records Group, and allowed them to sign later Philadelphia International Records artists The O'Jays and The Three Degrees. When Chess Records Group's management changed hands in 1969, Neptune Records folded. With the collapse of Neptune Records, Gamble and Huff transferred their signed artists onto a new project, Philadelphia International Records.^[4] Looking to attract new black acts to their label, but without the in-house know-how, Columbia Records was convinced to sign an exclusive production contract with Gamble and Huff's new Philadelphia International Records.

The label was set up in connection with Mighty Three/Assorted Music, the music publishing company run by Gamble, Huff and another Philadelphia producer, Thom Bell, to showcase their songs.

The label's major hits included: "TSOP (The Sound of Philadelphia)" by MFSB, featuring The Three Degrees, 1974 (which was later used as one of the theme tunes for the TV dance-music show Soul Train); "Ain't No Stoppin' Us Now" by McFadden & Whitehead (writers and producers with the label), 1979; "Back Stabbers" and "Love Train" by The O'Jays, 1972/3; "If You Don't Know Me By Now" and "The Love I Lost" by Harold Melvin & The Blue Notes, 1972/3; "Me and Mrs. Jones" by Billy Paul, 1972; "When Will I See You Again" by The Three Degrees, 1974; and "You'll Never Find Another Love Like Mine" by Lou Rawls, 1976.

The label had a distribution deal with CBS Records until 1984. Distribution of the catalog from 1976 onwards was then taken over by EMI, but CBS/Sony Music Entertainment continued to distribute material recorded up to 1976. In 2007, Sony's Legacy Recordings regained the rights to Philadelphia International's full catalog and the following year, PIR/Legacy released a box set titled Love Train: The Sound of Philadelphia.^[5]

Most of the music released by the label was recorded and produced at Sigma Sound Studios in Philadelphia, with chief engineer (later studio owner) Joe Tarsia recording many of the sessions. More than 30 resident studio musicians, known collectively as MFSB "Mother Father Sister Brother", were based at this studio and backed up most of these recordings. Some of these musicians also acted as arrangers, writers or producers for Philadelphia International as well as for other labels recording in the city. They included Bobby Martin,^[6][7] Norman Harris, Thom Bell, Ronnie Baker, Vince Montana and later, Jack Faith and John Usry.

Gamble and Huff worked as independent producers with a series of artists in the late 1960s and early 1970s, including Jerry Butler, Wilson Pickett and Dusty Springfield. They also produced The Jacksons' first two albums for Epic/CBS after the group had left Motown in 1976. The first, titled The Jacksons featured the platinum-selling single "Enjoy Yourself", and a second album, Goin' Places followed in 1977. Although on CBS subsidiary Epic, both albums and the singles also carried a Philadelphia International logo.

In 1965, Gamble and Huff started an independent label, Excel Records. It was soon renamed Gamble Records and in 1972, was folded into Philadelphia International as a subsidiary. In 1974, the subsidiary's name was changed to TSOP Records, from the aforementioned 1974 hit single, "TSOP (The Sound of Philadelphia)". Artists for Excel/Gamble/TSOP included Dee Dee Sharp, and Archie Bell & the Drells. Later signings to the Philly International roster in the 1980s and 1990s, included Patti Labelle, The Stylistics, Phyllis Hyman, and The Dells.

Between 1973 and 1975, Gamble and Huff also distributed a boutique label called Golden Fleece, set up by musicians Norman Harris, Ronnie Baker and Earl Young, which released the second album by The Trammps. G & H also had a short-lived subsidiary called Thunder Records. Created by Thom Bell, it only had two singles from Derek & Cyndi (You Bring Out the Best in Me/I'll Do the Impossible for You) who were produced by Bell, and Fatback Band member Michael Walker whose single (I Got the Notion, You Got the Motion) was produced by The Spinners' member Philippe Wynne.^[8]

Merry Christmas Fetishists: Was Teddy the Jay-Z to Harold's Dame Dash?

Cause we all already KNOW y'all ain't know a DAYYUM THANG about this..., but anyway

Harold Melvin an'em Blue Notes really wasn't ALL THAT without the late, great, Mr. Teddy Pendergrass. 

See, and better still, listen for yourself to this epic case of aural domination....,

then in HQ Audio

The Rape of RAP - Don't Say ISHT To Me About Harvey Weinstein...,

yournewswire |  John Homeston, a retired CIA agent, has admitted this week on National Russian Television (NTV) that the CIA was behind the creation of the 1980s hip hop scene and financed major hip hop acts including NWA, Afrika Bambaataa, and Grandmaster Flash & the Furious Five.

The government at the time spent “big money, serious money” on this covert operation destined to “further division” and “corrupt the American youth to nihilist, anti-establishment and anti-American ideologies”, he explained in a half hour interview broadcast on national television.

Famous hip hop songs of the legendary hip hop outfit NWA were even scripted by a team of psychologists and war propagandists of the CIA. “F#ck the police,” and “When I’m called off, I got a sawed off / Squeeze the trigger, and bodies are hauled off,” and other nihilist and anti-establishment lyrics were intended to unleash a wave of cynicism towards authorities, promote the use of heavy drugs, and entice the youth with revolutionary, counter-establishment ideas.

The retired CIA agent claims the social engineering maneuver was “extremely successful.“

“We understood at the time that music was a powerful means of propaganda to reach the youth,” explained the 77-year-old man.

“Our mission was to use teenage angst to our advantage and turn Generation X into a decadent, pro-drug and anti-establishment culture that would create uprisings and further division within society. We even infiltrated mainstream radio to promote their music and reach millions of people everyday,” he admitted, visibly proud of the accomplishment.

“For many of us in the CIA, infiltrating the 1980s hip hop scene was one of the CIA’s most successful experiments of propaganda to date,” he acknowledged during the interview.

“You could say Frankenstein’s monster got up off the table and started goose-stepping.”

Afrofuturism > Black Speculative Arts > Hip-Hop - More "Arts" Weaponization?

vice |  VICE: What exactly is the Black Speculative Arts Movement 

Dr. Reynaldo Anderson: BSAM is an umbrella term that looks at several different positions [like] magical realism, Afrofuturism, black science fiction, black quantum futurism, Afro-surrealism, ethnography—different perspectives related to this movement. It's a collection of artists, intellectuals, and activists that we have in these conventions.

How did it start? 

BSAM emerged out of the Unveiling Visions: The Alchemy of the Black Imagination project that I co-curated with John Jennings at the Schomburg Center for Research in Black Culture in Harlem. It was during that exhibition that I wrote the manifesto for the movement, which is posted online for people to look at.

Later, while brainstorming with John, he connected me to Maia "Crown" Williams, the founder of MECCAcon, the Midwest Ethnic Convention for Comics and Arts [who] operates a film festival and is a founding member of Ava DuVernay's ARRAY out of Detroit. With her expertise in film and comic conventions, she was very valuable as a co-founder to forming an ongoing convention aspect of the movement.

How long ago did you start thinking about this movement?

We are in the second wave of Afrofuturism, and it's also sociopolitical. When you think about science fiction and what we are doing with Nightlife, a lot of these people who are addicted to drugs have similar behaviors to those of zombies. There is a connection there as a literary or critical theorist. The way I think about science fiction and speculative philosophy happens in real life when people are using all these chemicals and drugs on their body and how it impacts their behavior, as they react like some of these people that we read about in novels. I think it's because society is changing so quickly the only reference we have to understand what happens to us is science fiction or horror. Things that we read in science fiction books used to be unthinkable. Now, they are a reality.

Let's talk about your book, Afrofuturism 2.0. How did you come to be involved in that project?

The book was the result of several years of thinking about the term "Afrofuturism." Many people preceded me in its conceptual development, like Mark Dery, Alondra Nelson, Kodwo Eshun, and others. I first heard of the term in the 90s as a graduate student when I was working on my PhD focusing on the Black Panther Party. The 2.0 project came out of a couple of things. One, I thought about Afrofuturism being different than it was when it was formulated in the 90s.

Afrofuturism 2.0 is the era that we're in now, this era of social media, technological acceleration, globalization, and environmental stress that we are dealing with. I put together a call for papers to put a book around the ideas that really mattered to Afrofuturism from 2005 to now. The other difference is that Afrofuturism is now a transdisciplinary pan-African techno cultural movement. It's global. It's not just American. It takes place in Africa, Latin America—all over the world people are doing it. It was the spirit of those spiritual and intellectual currents going on that led to the book being developed that I co-edited with Charles Jones. 

Aesthetic Relativism > Moral Relativism > Cultural Assassination...,

Counterpunch |  In contrast, an ongoing exhibition at the Chicago Art Institute shows the early Soviet arts in all their bustling contradiction and coming-to-be. The CIA could not have produced anything on this scale, which required a world-shaking collision of forces and a belief uncomfortably close to the religious. Malevich, Dziga Vertov, El Lissitzky, Lenin, Mayakovsky… The US, too, had considerable forces at its disposal (Buster Keaton, first and foremost). The strange thing is that this exhibition, mounted in a refreshingly no-nonsense and rather cool style, still manages to inspire, as if the past was waiting for the present to catch up to it. This power lies not so much in the myriad forms of the works, which may be bound in time, but in the pure electricity of their still-disarming presence. Against the morose ideas of ends, the grand mortuary they call ‘history’, against the relegation of past works of art to nostalgia and price, something else appears beside the collages, constructivist paintings, fabrics and living spaces constructed for the great new socialist world. We are always told that Stalin was the culmination of this moment in time. Who says? And who paid him to say it? The answer is obvious. They say that here is only one modernism; that there is only one history (and one power able to declare that it is over); that there is only one self to express; that there is only one public and one art which can express it (sometimes fearfully, it has to be admitted). If this sums up the most banal kinds of socialist realism, it is equally applicable to the art the CIA promoted in the middle of last century. Behind the paintings was the logic of pacification.

Alan Dulles’ influence extends far beyond his admittedly meagre artistic output. The CIA’s most recent work of criticism is the destruction of San’a and Aleppo, where the Agency has taken to task outmoded theories of architecture in an imperial inversion of the Situationists’ support for the Watts riots. And The Intercept informsus that Erik Prince, infamous Blackwater capo, and that old has-been Oliver North are setting up a parallel intelligence agency to defend the embattled President against a rogue CIA. Thus, the old rivalry between Classical and Romantic has returned with a swinging post-modern, mercenary twist. Although painting seems to be off the radar for now, the ideas behind the Abstract Intelligence school await resurrection in another form whose inelegance may delight or offend, depending on the myths necessary for the murder of both the Image and its reflection.

The Long Leash

independent - 1995 |  For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.

The connection is improbable. This was a period, in the 1950s and 1960s, when the great majority of Americans disliked or even despised modern art - President Truman summed up the popular view when he said: "If that's art, then I'm a Hottentot." As for the artists themselves, many were ex- communists barely acceptable in the America of the McCarthyite era, and certainly not the sort of people normally likely to receive US government backing.

Why did the CIA support them? Because in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete.

gizmodo -2010 |   There's little more divisive than modern art—most take a staunch "brilliance" or "bullshit" stance. So it should come as a surprise that the straight-laced feds at the CIA leaned toward the former camp—or at least saw it as brilliantly exploitable in the psychological war against the Soviets. Reports from former agents acknowledge what was always a tall tale in the art world—that CIA spooks floated pioneering artists like Jackson Pollock, Willem de Kooning, and Robert Motherwell, to drop an aesthetic nuke on Communism. What seemed like natural popularity of certain artists was, in part, actually a deliberate attempt at psychological warfare, backed by the US government.

But why modern art? At the time period in question—the 1950s and 60s—the artistic style of the moment was Abstract Expressionism. Abstract Expressionism (or AbEx, if you want to impress people at your next snooty cocktail party) stood for, above all else, self expression. Radically so. Take a look at a Pollock, for instance.

bbc - 2016 |  In the immediate aftermath of World War Two, something exciting happened in the art world in New York. A strange but irresistible energy started to crackle across the city, as artists who had struggled for years in poverty and obscurity suddenly found self-confidence and success. Together, they formed a movement that became known, in time, as Abstract Expressionism. It is currently the subject of a major exhibition, featuring 164 artworks by 30 artists (including Willem de Kooning, Jackson Pollock, and Mark Rothko), at the Royal Academy of Arts in London.

One of the most remarkable things about Abstract Expressionism was the speed with which it rose to international prominence. Although the artists associated with it took a long time to find their signature styles, once the movement had crystallised, by the late ‘40s, it rapidly achieved first notoriety and then respect. By the ‘50s, it was generally accepted that the most exciting advances in painting and sculpture were taking place in New York rather than Paris. In 1957, a year after Pollock’s death in a car crash, the Metropolitan Museum paid $30,000 for his Autumn Rhythm – an unprecedented sum of money for a painting by a contemporary artist at the time.

Stupidity and Willful Blindness - The Twin Blights Afflicting Uhmurkah

counterpunch  |  Reason number one is why we currently have Donald Trump for president. The man cannot hold a train of thought for the ten or 15 seconds it takes to express it or to type it into a Tweet, lies so often I don’t think he even knows when he’s doing it half the time, and has no moral core. And yet a third of American voters think he’s just great. And even though all his policies are damaging the very people — the poor, forgotten white working class — that he likes to highlight as being his main concern, those people, who are now at risk of losing their subsidized health insurance available under Obamacare, their Medicaid, their Supplemental Security Income checks (available to the disabled and to children and young single parents left in need by the death of a working parent/spouse) and the protection against predatory lenders afforded by the Consumer Financial Protection Bureau (CFPB), continue to back him, and will likely vote for him in 2020.

Reason number two is why, despite proof that the Democratic Party leadership and its pre-annointed 2016 presidential candidate preference Hillary Clinton, worked hand-in-glove to steal the nomination from Vermont independent Sen. Bernie Sanders and his tens of millions of supporters last year, and despite the knowledge that that same corrupt leadership is hard at work now blocking progressive efforts to democratize the next Democratic primary, and to run real progressives as candidates for House and Senate in 2018 instead of more of the same corporatist mob, Democratic voters will submissively cave in as always and vote for those same lackluster and corrupted corporatists, either handing wins to Republican opponents, or electing/re-electing ineffective, self-aggrandizing hacks.

There are other problems too, of course. To a certain extent, both Republican and Democratic voters in the US are blinded to reality. In the case of Republicans, who tend to be less well educated, or even if they have higher degrees, to be in thrall to fanatic religious doctrines that over-ride any scientific thinking they might once have learned, this blindness to reality is celebrated.  Among Democrats, who fancy themselves to be the “reality-based” voters, however, there is also a blindness to reality.  Democrats refuse for example to see the larger picture: for example that the US is absurdly over-militarized and badly in need of being pacified and disarmed. No amount of calls for better funding for social needs can succeed without first closing down the over 800 bases that the US operates abroad, terminating all the undeclared foreign wars and military adventures in places like Syria, Pakistan, Iraq, Afghanistan, Somalia, etc., shrinking the Army, Navy, Air Force, Marines and Special Forces   and the nuclear forces and slashing the overall military budget by at least 75%. To fail to recognize this reality is as stupid as your typical Republican yahoo’s refusal to accept the reality of rampaging climate change. It is simply Democratic yahooism.

McCabe, Ohr, Ohr's wife, and Strzok Fall While Clintons and Obamas Stay Free, Fat, and Sassy??

nationalreview |  Did the FBI and Justice Department use Steele’s information to get the FISA warrant? One certainly hopes not, for two salient reasons. 

First, the dossier, particularly as it relates to Page, is incredibly far-fetched. I am assuming that, at the time it began receiving the dossier reports, the FBI did not know that Steele was working for the Clinton campaign — indeed, we do not yet know whether Steele himself knew who, ultimately, was paying for his work. If the bureau were aware of the Clinton campaign’s role, using the dossier would be indefensible. We should assume for now, though, that if investigators were scrupulous enough to resist seeking a warrant for Page while he was officially connected to the Trump campaign, they would doubly have avoided using one campaign’s information as a basis for spying on its opposition. 

Nevertheless, the explosive information was unverified. There were abundant reasons to doubt its veracity when it came to Page. And the FBI could easily have taken measures less drastic than seeking court-ordered surveillance; it could, for example, have interviewed Page, who had cooperated with the FBI in the past. 

The second reason to hope the dossier was not used is more alarming. If the FBI and Justice Department relied on it, this would very likely mean that they fell victim to an influence operation, based on false information, by Russian intelligence services. Steele’s sources are unidentified Russians, at least some of whom knew Steele to be a spy for hire. It is possible, if not likely, that these Russians fed Steele false information in order to see if Western intelligence services would bite and, if the Kremlin got lucky, to sow discord and chaos into the American political system. 

I hope they did not succeed, but we need to find out. One more disturbing fact: Because Page is a U.S. citizen, the Justice Department and FBI would have had to show the FISA court not only that he was acting as a foreign agent for Russia but that his activities involved or may have involved violations of federal criminal statutes. (See Section 1801(b)(2) of Title 50, U.S. Code.) I don’t know of any basis for attributing criminal activity to Page other than the Steele dossier — but, of course, I don’t know everything the FBI knows. 

Was the August 2016 decision to spy on a Trump associate based on a Clinton campaign screed’s claim of a corrupt Trump-Russia deal? Did FBI and Justice Department officials lose their professional objectivity because Steele’s information fit their anti-Trump bias? Was the Steele dossier, in effect, the “insurance policy” Agent Strzok had in mind? President Trump can provide the answers to these questions: He just needs to order the FBI and Justice Department, led by his appointees, to cooperate with Congress’s investigations.

The DNC's Third Wave Circular Firing Squad Continues In Kansas...,

WaPo  |  In the federal complaint about sex discrimination and retaliation, Funkhouser accused Ramsey, then Andrea Thomas, according to the Star, of making “unwelcome and inappropriate sexual comments and innuendos” when he was a human resources manager for LabOne.

Funkhouser alleged that he had suffered consequences at work because he had rebuffed an advance he said she made during a business trip in 2005.

“After I told her I was not interested in having a sexual relationship with her, she stopped talking to me,” he wrote, according to documents filed in court. “In the office, she completely ignored me and avoided having any contact with me.”

The EEOC closed its investigation in 2005, saying that it was “unable to conclude that the information obtained establishes violations of the statutes.” Though Ramsey was not charged directly in the lawsuit, she had been named in the complaint. It was settled by the company after mediation in 2006 and had begun to be discussed in political circles recently, the Star reported.

Without naming Funkhouser, Ramsey said that a man decided to bring a lawsuit against the company after she eliminated his position.

“He named me in the allegations, claiming I fired him because he refused to have sex with me,” she wrote. “That is a lie.”

She said she would have fought to clear her name had the suit been brought against her.

[With Moore’s defeat, #MeToo movement forces a reckoning] 

 

“I would have sued the disgruntled, vindictive employee for defamation,” she wrote. “Now, twelve years later this suit is being used to force me out of my race for Congress. Let me be clear: I never engaged in any of the alleged behavior. And the due process that I love, that drew me to the field of law, is totally denied.”

Whatever DNC Corruption Doesn't Kill-Off, Third Wave Feminism Surely Will...,

theatlantic |  Earlier this month, the research firm PerryUndem found that Democratic men were 25 points more likely than Republican women to say sexism remains a “big” or “somewhat” big problem. According to October polling data sorted for me by the Pew Research Center, Democratic men were 31 points more likely than Republican women to say the “country has not gone far enough on women’s rights.” In both surveys, the gender gap within parties was small: Republican women and Republican men answered roughly the same way as did Democratic women and Democratic men. But the gap between parties—between both Democratic men and women and Republican men and women—was large.

Since Trump’s election and the recent wave of sexual-harassment allegations, this partisan divide appears to have grown. In January, when PerryUndum asked whether “most women interpret innocent remarks as being sexist,” Republican women were 11 points more likely than Democratic men to say yes. When PerryUndum asked the question again this month, the gap had more than doubled to 23 points. A year ago, Democratic men were 30 points more likely than Republican women to strongly agree that “the country would be better off if we had more women in political office.” The gap is now 45 points.

Over the decades, a similar divergence has occurred in Congress. Syracuse University’s Danielle Thompson notes that, in the 1980s, “little difference existed between Republican and Democratic women [members of Congress] in their advocacy of women’s rights.” In the 1990s, Republican women members were still noticeably more moderate than their male GOP colleagues. That created a significant degree of ideological affinity between women politicians across the aisle. Now it’s gone. There are many more Democratic than Republican women in Congress. But, Thompson’s research shows, the Republican women are today just as conservative as their male GOP colleagues.

Why does this matter? First, it clarifies why Democrats forced Al Franken to vacate his Senate seat but Republicans didn’t force Roy Moore from his Senate race. Republicans of both genders are simply far more likely than Democrats of both genders to believe that women cry sexism in response to “innocent remarks or acts” and that America has “gone far enough on women’s rights.” It’s not surprising, therefore, that Democratic women senators took the lead in demanding that Franken go while Republican women senators reacted to Moore pretty much like their male colleagues.

Secondly, this partisan divergence hints at the nature of the backlash that the current sexual-harassment reckoning will spark: Anti-feminist women will help to lead it. In part, that’s because anti-feminist women can’t be labelled sexist as easily as anti-feminist men. But it’s also because, given their conservative attitudes, many Republican women likely find the current disruption of gender relations unnerving.

DNC - RIP

jessescrossroadscafe |  "DNC Chairman Perez and allied power brokers keep showing that they’re afraid of the party’s progressive base.   No amount of appealing rhetoric changes that reality."

Norman Solomon, Battle for Democratic Party: After the Unity Reform Commission

“In a room where people unanimously maintain a conspiracy of silence, one word of truth sounds like a pistol shot.”

Czesław Miłosz

I guess this sort of nonsense is what happens when you allow a powerful private interest like Hillary, Inc. to take over your organization and shape its mission for their own purposes.

The result is an imperious, top down operation where only a few insiders can follow the money because they control it.  And the grass roots initiatives and state organizations starve from neglect.

Budgetary and fiduciary oversight and transparency within your own organization is fundamental to any good governance.   But not within a credentialed oligarchy, which is what the DNC had apparently become.

It seems to have started out as the ascendance of the self-proclaimed elite, the knowing, and their super-delegates.  But in reality, all they had in addition to their professional pedigrees and places of power was the unique talent of betraying their duties in order to amass enormous amounts of money.  They maintained and expanded their power by distributing the party's funds selectively, ruthlessly, and with a Machiavellian intent for the accumulation of personal wealth and power.

Surprising that a community organizer wouldn't understand that.   Of course it seems like he understood very little about reform, financial or otherwise.   Or wanted to.

Who are these five consultants and what did they do to earn their $700 million?  Were these no-bid contracts?  Who approved them?

Whatever it was, it could not have had much to do with effectively winning elections.  But it had everything to do with the arrogance and self-delusions of a few largely isolated from those who they were sworn to serve and protect.

Bezos Post Accuses Rosenstein of Disloyalty to the Deep State Cause

WaPo |  On display at the House Judiciary Committee hearing this week was the ham-handed, unsightly spectacle of Republican lawmakers trying to discredit the special prosecutor and the FBI in order to provide the president with a fig leaf, presumably one he’ll use at some point to fire Robert S. Mueller. As a Democratic adviser put it, we witnessed a “shameless and irresponsible ploy to cover for the president and cast doubt on Mr. Mueller.” The immediate tool was the text messages sent by one FBI agent, Peter Strzok, to another, Lisa Page, which Republicans used, as the source put it, to distract from “the direct threat that President Trump poses to the Department of Justice and our democratic institutions.”

In this Republicans had an enabler in the person of Deputy Attorney General Rod J. Rosenstein. Eli Lake reported:

Both Strzok, an FBI counter-intelligence agent, and Page, an FBI lawyer, were involved in the 2016 investigation into Hillary Clinton’s private email server, and were both briefly on Mueller’s team investigating Russia’s influence of the 2016 election. In the texts from 2015 and 2016, they complained about the Republican presidential nominee’s intelligence and demeanor (including in unprintable terms). In July, those private texts came to the attention of the Justice Department’s inspector general. The FBI reassigned Strzok to human resources, while Page left the special counsel’s probe.

The inspector general’s investigation is ongoing. Perhaps more evidence will emerge that the privately held opinions of two investigators contributed to then-FBI director James Comey’s decision in July 2016 not to charge Clinton with a crime. (That was when the Republicans said the FBI was pro-Clinton. Before Comey called the finality of that inquiry into question just days before the 2016 election and the Democrats said the FBI was anti-Clinton.) Until charges are pressed and evidence is considered, however, Page and Strzok are owed some due process.

But in this case, Rosenstein threw them under the bus, disclosing their private texts to Congress and the media. It’s rare to see such an aggressive act of betrayal by a political appointee on members of his own department, for the sole reason (apparently) to curry favor with the party of the president who appointed him.

House and Senate Tired Of Partisan DOJ AssClownery...,

judiciary.senate.gov |  Dear Deputy Attorney General Rosenstein:

Yesterday, the Justice Department released a subset of text messages requested by the Committee. The limited release of 375 text messages between Mr. Peter Strzok and Ms. Lisa Page indicate a highly politicized FBI environment during both the Clinton and Russia investigations. For example, one text message from Ms. Page proclaims to Mr. Strzok, “God(,) Trump is a loathsome human.”1

Some of these texts appear to go beyond merely expressing a private political opinion, and appear to cross the line into taking some official action to create an “insurance policy” against a Trump presidency. Mr. Strzok writes the following to Ms. Page:

I want to believe the path you threw out for consideration in Andy’s office – that there’s no way he gets elected – but I’m afraid we can’t take that risk. It’s like an insurance policy in the unlikely event you die before you’re 40…2

Presumably, “Andy” refers to Deputy FBI Director Andrew McCabe. So whatever was being discussed extended beyond just Page and Stzrok at least to Mr. McCabe, who was involved in supervising both investigations.3

Another text from Ms. Page to Mr. Strzok on April 2, 2016, says the following:

So look, you say we text on that phone when we talk about hillary because it can’t be traced, you were just venting bc you feel bad that you’re gone so much but it can’t be helped right now.

That text message occurred during Mr. Strzok’s involvement in the Clinton investigation and days before he interviewed Huma Abedin and Cheryl Mills on April 5, 2016 and April 9, 2016, respectively. Thus, the mention of “hillary” may refer to Secretary Clinton and therefore could indicate that Mr. Strzok and Ms. Page engaged in other communications about an ongoing investigation on a different phone in an effort to prevent it from being traced.

Any improper political influence or motives in the course of any FBI investigation must be brought to light and fully addressed. Former Director Comey’s claims that the FBI “doesn’t give a rip about politics” certainly are not consistent with the evidence of discussions occurring in the Deputy Director’s office around August 15, 2016.

Accordingly, please answer the following no later than December 27, 2017:

1. On what date did you become aware of the text messages between Mr. Strzok and Ms. Page and on what date were they each removed from the Special Counsel’s office?
2. Are there any other records relating to the conversation in Andrew McCabe’s office shortly before the text described above on August 15, 2016? If so please produce them to the Committee.
3. Please provide all records relating to Andrew McCabe’s communications with Peter Stzrok or Lisa Page between August 7, 2016 and August 23, 2016.
4. What steps have you taken to determine whether Mr. Strzok, Mr. Page, and Mr. McCabe should face disciplinary action for their conduct?
5. My understanding is that the Inspector General’s current investigation is limited to the handling of the Clinton email matter only. What steps have you taken to determine whether steps taken during the campaign to escalate the Russia investigation might have been a result of the political animus evidenced by these text messages rather than on the merits?
6. Has the Department identified the referenced “that phone” Mr. Strzok and Ms. Page used to discuss Secretary Clinton? What steps has the Department taken to review the records on this other phone that allegedly “can’t be traced.” If none, please explain why not? If steps have been taken, please detail them and provide all records reviewed.

I anticipate that your written reply and any responsive documents will be unclassified. Please send all unclassified material directly to the Committee. In keeping with the requirements of Executive Order 13526, if any of the responsive documents do contain classified information, please segregate all unclassified material within the classified documents, provide all unclassified information directly to the Committee, and provide a classified addendum to the Office of Senate Security. Although the Committee complies with all laws and regulations governing the handling of classified information, it is not bound, absent its prior agreement, by any handling restrictions.

Yvette's Fifteen Minutes Was Up The Minute She Left Irami...,

philosophyofmetrics |  The cryptocurrency craze is built upon the blockchain technology. Blockchain was created in mystery, with the assumed inventor disappearing into obscurity. Some have made the case that blockchain was in fact created by AI for the purpose of building a de-centralized AI economy. That could be the case, but regardless, the technology is here to stay, and will infiltrate and transform all aspects of human existence and interaction.

The best way I’ve found to understand blockchain is to compare it to the human brain. The brain has synapses which serve the function of allowing neurons to transfer electrical and chemical signals to other neurons. Like the neurons in the human brain, the blockchain technology has nodes which serve the same purpose of transferring information and data. Once the data exists on the blockchain, it can never be destroyed or altered. There will always be an accurate record of all transactions.

This is being likened to an artificial intelligence hive mind which will eventually connect everything in the world, including SMART appliances, SMART watches, SMART cities, and eventually SMART human beings. But I would like to take it a step further and suggest that blockchain technology, and Ethereum specifically, is more comparable to the whole human body and DNA in particular. The complex interactions and transactions which take place within the body and our DNA are being replicated on the blockchain and Ethereum platforms.

This has explosive repercussions on our understanding and acceptance of the de-centralized world which is now emerging in our midst. One of the big esoteric questions we’ve always asked ourselves regarding our individual material, spiritual, and mental fragmentation, was how do we complete a process of de-fragmentation without surrendering to a material centralization which would dominate the totality of our lives?

We can see with blockchain and Ethereum, that a massive de-centralization, or de-fragmentation, of processing and functionality, will allow each individual component to maintain individuality, while the art of de-fragmenting our human inefficiencies can proceed without corrupting into ideological disasters, such as Communism and other externalizations of human weakness.

The recent explosion in the value of Bitcoin is indicative of the growing interest in the blockchain technology. But in some regards Bitcoin is already obsolete. There are some fundamental differences between Bitcoin and Ethereum. Here is a list of just seven which have been complied by Cryptocompare.com:

1. In Ethereum the block time is set to 14 to 15 seconds compared to Bitcoins 10 minutes. This allows for faster transaction times. Ethereum does this by using the Ghost protocol.
2. Ethereum has a slightly different economic model than Bitcoin – Bitcoin block rewards halve every 4 years whilst Ethereum releases the same amount of Ether each year ad infinitum.
3. Ethereum has a different method for costing transactions depending on their computational complexity, bandwidth use and storage needs. Bitcoin transactions compete equally with each other. This is called Gas in Ethereum and is limited per block whilst in Bitcoin, it is limited by the block size.
4. Ethereum has its own Turing complete internal code… a Turing-complete code means that given enough computing power and enough time… anything can be calculated. With Bitcoin, there is not this form of flexibility.
5. Ethereum was crowd funded whilst Bitcoin was released and early miners own most of the coins that will ever be mined. With Ethereum 50% of the coins will be owned by miners in year five.
6. Ethereum discourages centralised pool mining through its Ghost protocol rewarding stale blocks. There is no advantage to being in a pool in terms of block propagation.
7. Ethereum uses a memory hard hashing algorithm called Ethash that mitigates against the use of ASICS and encourages decentralised mining by individuals using their GPU’s.

The information in that list represents the core areas in which our world is transforming. This cannot be stopped. Though Bitcoin may explode even higher, and some nations and institutions may attempt to regulate and slow the onset of the blockchain and Ethereum, the genie is now out of the lamp and nothing can put it back. Blockchain is not just for cryptocurrency and economics. It will build the foundation and framework of everything in the world of tomorrow.

Backpropagation: The Beginning of a Revolution or the End of One?

technologyreview |  I’m standing in what is soon to be the center of the world, or is perhaps just a very large room on the seventh floor of a gleaming tower in downtown Toronto. Showing me around is Jordan Jacobs, who cofounded this place: the nascent Vector Institute, which opens its doors this fall and which is aiming to become the global epicenter of artificial intelligence.

We’re in Toronto because Geoffrey Hinton is in Toronto, and Geoffrey Hinton is the father of “deep learning,” the technique behind the current excitement about AI. “In 30 years we’re going to look back and say Geoff is Einstein—of AI, deep learning, the thing that we’re calling AI,” Jacobs says. Of the researchers at the top of the field of deep learning, Hinton has more citations than the next three combined. His students and postdocs have gone on to run the AI labs at Apple, Facebook, and OpenAI; Hinton himself is a lead scientist on the Google Brain AI team. In fact, nearly every achievement in the last decade of AI—in translation, speech recognition, image recognition, and game playing—traces in some way back to Hinton’s work.

The Vector Institute, this monument to the ascent of ­Hinton’s ideas, is a research center where companies from around the U.S. and Canada—like Google, and Uber, and Nvidia—will sponsor efforts to commercialize AI technologies. Money has poured in faster than Jacobs could ask for it; two of his cofounders surveyed companies in the Toronto area, and the demand for AI experts ended up being 10 times what Canada produces every year. Vector is in a sense ground zero for the now-worldwide attempt to mobilize around deep learning: to cash in on the technique, to teach it, to refine and apply it. Data centers are being built, towers are being filled with startups, a whole generation of students is going into the field.

The impression you get standing on the Vector floor, bare and echoey and about to be filled, is that you’re at the beginning of something. But the peculiar thing about deep learning is just how old its key ideas are. Hinton’s breakthrough paper, with colleagues David Rumelhart and Ronald Williams, was published in 1986. The paper elaborated on a technique called backpropagation, or backprop for short. Backprop, in the words of Jon Cohen, a computational psychologist at Princeton, is “what all of deep learning is based on—literally everything.”

When you boil it down, AI today is deep learning, and deep learning is backprop—which is amazing, considering that backprop is more than 30 years old. It’s worth understanding how that happened—how a technique could lie in wait for so long and then cause such an explosion—because once you understand the story of backprop, you’ll start to understand the current moment in AI, and in particular the fact that maybe we’re not actually at the beginning of a revolution. Maybe we’re at the end of one.

M-Valued LETS (REDUX Originally Posted 10/22/08)

Sketch of the Most Likely Scenario for Implementing a Post-Bretton Woods Global Monetary System Utilizing m-Logically-Valued Exchange Units based on Quantum Principles of Self-Organization (circa Spring 1998, Saigon)

This site is devoted to all and everything associated with the notion of m-logically-valued monetary units and their applications to LETS, local exchange trading systems. Definitions of scope are broad and shall include: m-valued logic (e.g., fuzzy logic, Lukasiewicz logic); theory of monetary instruments; related quantum theoretical issues; applications technologies (hardware and software); research and development; the involved strategic planning issues; real politik of insinuating m-logically-valued exchange systems into the prevailing Newtonian institutionalization; quantum accounts of self-organization as they apply to questions of monetary theory; autopoiesis and its graphical representation systems; metaphors in theoretical biology, biometeorology, oceanography, and related sciences of multiscale dynamical systems; applicability of complexity theory to monetary systematics; history of any and all related subjects. Definitions of exclusion are narrow and shall be determined only by the propensity of any given contribution to elicit ennui.

Hypertext markup language is one very small step for mankind in the direction of employing m-valued logics. Free associations once were pristine logical accommodation schemata by virtue of animistic “identity transparency”. We are inspired by this fact and will embody that inspiration as complete disregard for conventions of binary logical thought -- though we will make no active effort in crass display of such unrespect.

Why Not Simply Release The FISA Application?

RT  | FBI Director Christopher Wray has declined to tell the House Judiciary Committee if he was prohibited from sharing documents that would show whether the notorious Steele dossier was used to obtain a FISA warrant to spy on the Trump campaign. 

Wray was appearing before the the House Judiciary Committee Thursday, after President Donald Trump’s recent tweet that the FBI’s reputation is “in tatters.”

Rep. Jim Jordan (R-Ohio) asked Wray about the FBI’s possible use of the Trump–Russia dossier, also known as the Steele dossier, named after its author ex-British spy Christopher Steele. It was a document paid for by the Democratic National Committee (DNC) and Hillary Clinton campaign to be used as opposition research against Trump in 2016. It contained allegations that Trump colluded with the Russian government in the 2016 US presidential election and engaged in lewd acts. The veracity of the salacious claims in the dossier were further undermined by the revelation that Steele paid Russian sources for information pointing to collusion.

Jordan also referred to Peter Strzok, an FBI agent and former deputy head of counterintelligence who led the investigation into Clinton’s use of private emails, and reportedly recommended that former FBI director James Comey describe Clinton’s actions as “extremely careless,” rather than “grossly negligent” – a term that implies felony charges under US law. It was revealed this week that Strzok was dismissed this summer from Special Counsel Robert Mueller’s probe into alleged collaboration between Trump and Russia for sending “anti-Trump text messages.”

Jordan alleged that Strzok used the Steele dossier to obtain a FISA warrant for spying on members of the Trump team.

“My hunch is it has something to do with the dossier,” Jordan said. “Did Peter Strzok help produce and present the application to the FISA court to secure a warrant to spy on Americans associated with the Trump campaign?”

Wray refused to answer, saying, “I'm not prepared to discuss anything about a FISA process in this setting.”

Jordan wouldn’t let Wary off the hook. “We're not talking about what happened in the court, we're talking about what the FBI took to the court,” he said. “The application. Was Peter Strzok involved in taking that to the court?”