Showing posts with label normotic illness. Show all posts
Showing posts with label normotic illness. Show all posts

Thursday, May 31, 2018

Ain’t Nobody Asked You To Speak For Us REDUX (Originally Posted 11/07/17)


NationalReview |  If I might be permitted to address the would-be benefactors of the white underclass from the southerly side of the class line: Ain’t nobody asked you to speak for us.
One of the intellectual failings of conservative social critics is our tendency to take external forces, economic and otherwsie, into greater account in the case of struggling rural and small-town whites than in the case of struggling urban blacks.
Of course there are external forces, economic and otherwise, that act on poor people and poor communities, and one of the intellectual failings of conservative social critics is our tendency to take those into considerably greater account in the case of struggling rural and small-town whites than in the case of struggling urban blacks. “Get off welfare and get a job!” has been replaced by solicitous talk about “globalization.” Likewise, the reaction to the crack-cocaine plague of the 1980s and 1990s was very different from the reaction to the opioid epidemic of the moment, in part because of who is involved — or perceived to be involved. And this isn’t the first time we’ve seen a rash of deaths from opioid overdoses. As Dr. Peter DeBlieux of University Medical Center in New Orleans put it, heroin addiction was, for a long time, treated in the same way AIDS was in its early days: as a problem for deviants. Nobody cared about AIDS when it was a problem for prostitutes, drug addicts, and those with excessively adventurous sex lives. The previous big epidemic of heroin overdoses involved largely non-white drug users. The current fentanyl-driven heroin episode and the growth of prescription-killer abuse involve more white users and more middle-class users.

But there are internal forces as well. People really do make decisions, and, whether they intend it or not, they contribute to the sometimes difficult conditions in which those decisions have to be made.
Consider the case of how I became homeless.

I wasn’t homeless in the sense of sleeping in the park — most of the people we’re talking about when we’re talking about homelessness aren’t. The people who are sleeping on the streets are mainly addicts and people with other severe mental-health issues. I was homeless in the way the Department of Health and Human Services means: in “an unstable or non-permanent situation . . . forced to stay with a series of friends and/or extended family members.” (As a matter of policy, these two kinds of homelessness should not be conflated, which they intentionally are by those who wish for political reasons to pretend that our mental-health crisis is an economic problem.) Like many underclass families, mine lived very much paycheck-to-paycheck, and was always one setback away from economic catastrophe. That came when my mother, who for various reasons had a weakened immune system, got scratched by her poodle, Pepe, and nearly lost her right arm to the subsequent infection. A long hospitalization combined with fairly radical surgery and a series of skin grafts left her right arm and hand partially paralyzed, a serious problem for a woman who typed for a living. (She’d later learn to type well over 100 words per minute with only partial use of her right hand; she was a Rachmaninoff of the IBM Selectric.) I am sure that there were severe financial stresses associated with her illness, but I ended up being shuffled around between various neighbors — strangers to me — for mainly non-economic reasons. My parents had two houses between them, but at that time had just gone through a very ugly divorce. My mother was living with a mentally disturbed alcoholic who’d had a hard time in Vietnam (and well before that, I am certain; his grandfather had once shot him in the ass with a load of rock-salt for making unauthorized use of a watermelon from the family farm) and it was decided that it would be unsafe to leave children alone in his care, which it certainly would have been. He was very precise, in funny ways, and would stack his Coors Lite cans in perfect silver pyramids until he ran out of beer, at which point he would start drinking shots of Mexican vanilla, which is about 70 proof. Lubbock was a dry city then, and buying more booze would have meant a trip past the city limits, hence the resort to baking ingredients and, occasionally, to mouthwash. I am afraid the old realtors’ trick of filling the house with the aroma of baked cookies has the opposite of the desired effect on me.

Our mortgage then was $285 a month, which was a little less than my father paid in child support, so housing was, in effect, paid for. And thus I found myself in the strange position of being temporarily without a home while rotating between neighbors within sight, about 60 feet away, of the paid-up house to which I could not safely return. I was in kindergarten at the time.

Capitalism didn’t do that, and neither did illegal immigrants or Chinese competition to the Texas Instruments factory on the other side of town. Culture didn’t do it, either, and neither did poverty: We had enough money to secure comfortable housing in a nice neighborhood with good schools. In the last years of her life, my mother asked me to help her sort out some financial issues, and I was shocked to learn how much money she and her fourth and final husband were earning: They’d both ended their careers as government employees, and had pretty decent pensions and excellent health benefits. They were, in fact, making about as much in retirement in Lubbock as I was making editing newspapers in Philadelphia. Of course they were almost dead broke — their bingo and cigarette outlays alone were crushing, and they’d bought a Cadillac and paid for it with a credit card.

Warms My Heart To See WICHITA STILL DONT PLAY!!!


KAKE |  A 14-year-old boy says he was arrested at the Warren Theatre in east Wichita because his pants were sagging.

Alonzo Taylor Jr says he went to the East Warren 20 with a group of friends when the manager approached him about his pants.

"A couple of seconds after leaving the concessions counter, the manager walked up and said to pull up your pants or you'll be escorted," Taylor said.

He says he couldn't find a belt to wear and his pants began sagging while he was carrying a drink and popcorn. 
"I was by the counter and he said that, 'You're going to have to leave. I don't care what you did. You're trespassing.'" 
Taylor says he followed all of the manager's commands but was still arrested. He believes the manager targeted him because he is black. 

Taylor's mother, Ruth Dennis, says her son is a good kid who never gets into trouble. She's not mad at police for handcuffing her son. She's mad at the theater.

"I just don't want my son's record to be messed up over sagging and to be labeled as a trespasser," she said.

Taylor is still shocked by what happened and now doesn't feel welcome at the East Warren 20.

Monday, December 18, 2017

Aesthetic Relativism > Moral Relativism > Cultural Assassination...,


Counterpunch |  In contrast, an ongoing exhibition at the Chicago Art Institute shows the early Soviet arts in all their bustling contradiction and coming-to-be. The CIA could not have produced anything on this scale, which required a world-shaking collision of forces and a belief uncomfortably close to the religious. Malevich, Dziga Vertov, El Lissitzky, Lenin, Mayakovsky… The US, too, had considerable forces at its disposal (Buster Keaton, first and foremost). The strange thing is that this exhibition, mounted in a refreshingly no-nonsense and rather cool style, still manages to inspire, as if the past was waiting for the present to catch up to it. This power lies not so much in the myriad forms of the works, which may be bound in time, but in the pure electricity of their still-disarming presence. Against the morose ideas of ends, the grand mortuary they call ‘history’, against the relegation of past works of art to nostalgia and price, something else appears beside the collages, constructivist paintings, fabrics and living spaces constructed for the great new socialist world. We are always told that Stalin was the culmination of this moment in time. Who says? And who paid him to say it? The answer is obvious. They say that here is only one modernism; that there is only one history (and one power able to declare that it is over); that there is only one self to express; that there is only one public and one art which can express it (sometimes fearfully, it has to be admitted). If this sums up the most banal kinds of socialist realism, it is equally applicable to the art the CIA promoted in the middle of last century. Behind the paintings was the logic of pacification.

Alan Dulles’ influence extends far beyond his admittedly meagre artistic output. The CIA’s most recent work of criticism is the destruction of San’a and Aleppo, where the Agency has taken to task outmoded theories of architecture in an imperial inversion of the Situationists’ support for the Watts riots. And The Intercept informsus that Erik Prince, infamous Blackwater capo, and that old has-been Oliver North are setting up a parallel intelligence agency to defend the embattled President against a rogue CIA. Thus, the old rivalry between Classical and Romantic has returned with a swinging post-modern, mercenary twist. Although painting seems to be off the radar for now, the ideas behind the Abstract Intelligence school await resurrection in another form whose inelegance may delight or offend, depending on the myths necessary for the murder of both the Image and its reflection.

The Long Leash



independent - 1995 |  For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.

The connection is improbable. This was a period, in the 1950s and 1960s, when the great majority of Americans disliked or even despised modern art - President Truman summed up the popular view when he said: "If that's art, then I'm a Hottentot." As for the artists themselves, many were ex- communists barely acceptable in the America of the McCarthyite era, and certainly not the sort of people normally likely to receive US government backing.

Why did the CIA support them? Because in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete.

gizmodo -2010 |   There's little more divisive than modern art—most take a staunch "brilliance" or "bullshit" stance. So it should come as a surprise that the straight-laced feds at the CIA leaned toward the former camp—or at least saw it as brilliantly exploitable in the psychological war against the Soviets. Reports from former agents acknowledge what was always a tall tale in the art world—that CIA spooks floated pioneering artists like Jackson Pollock, Willem de Kooning, and Robert Motherwell, to drop an aesthetic nuke on Communism. What seemed like natural popularity of certain artists was, in part, actually a deliberate attempt at psychological warfare, backed by the US government.

But why modern art? At the time period in question—the 1950s and 60s—the artistic style of the moment was Abstract Expressionism. Abstract Expressionism (or AbEx, if you want to impress people at your next snooty cocktail party) stood for, above all else, self expression. Radically so. Take a look at a Pollock, for instance.

bbc - 2016 |  In the immediate aftermath of World War Two, something exciting happened in the art world in New York. A strange but irresistible energy started to crackle across the city, as artists who had struggled for years in poverty and obscurity suddenly found self-confidence and success. Together, they formed a movement that became known, in time, as Abstract Expressionism. It is currently the subject of a major exhibition, featuring 164 artworks by 30 artists (including Willem de Kooning, Jackson Pollock, and Mark Rothko), at the Royal Academy of Arts in London.

One of the most remarkable things about Abstract Expressionism was the speed with which it rose to international prominence. Although the artists associated with it took a long time to find their signature styles, once the movement had crystallised, by the late ‘40s, it rapidly achieved first notoriety and then respect. By the ‘50s, it was generally accepted that the most exciting advances in painting and sculpture were taking place in New York rather than Paris. In 1957, a year after Pollock’s death in a car crash, the Metropolitan Museum paid $30,000 for his Autumn Rhythm – an unprecedented sum of money for a painting by a contemporary artist at the time.

Tuesday, November 07, 2017

"Acting White" for White People...,


NationalReview | Ice-T never received an Academy Award, which makes sense inasmuch as his movies have been for the most part crap. But as an actor, you have to give the man credit: Along with other gangster rappers such as Ice Cube, he turned in such a convincing performance — amplifying negative stereotypes about black men and selling white people their own Reagan-era racial panic back to them in a highly stylized form — that people still, to this day, believe he was the guy he played on stage. One social-media critic accused him of hypocrisy for having recorded the infamous song “Cop Killer” before going on to a very lucrative career playing a police officer on television. Ice-T gave the man an honest answer: “It’s both acting, homie.” Acting, indeed. Pretty good acting, too, across the board in the rap world. 

Consider the strange evolution of Tupac Shakur, who went from the quiet, effeminate young man seen in this interview — a former acting and ballet student at the Baltimore School for the Arts apparently pointed like a rocket at a career in musical theater — to the “Thug Life” antihero persona that made him famous in a remarkably short period of time. He played tough-guy Roland Bishop in Juice and basically stayed in character for the rest of his public life. As with Ice-T, many of his fans assumed the stage persona was the real man. There’s a whole weird little racial dynamic in there waiting for some doctoral student to sort it out. Nobody expects Anthony Hopkins to eat a census worker. 

A theater critic can’t really begrudge a performer for making a living, and Ice-T put on a great show. I do wonder how much damage those performers did by reinforcing and glamorizing criminal stereotypes of black men. And I do mean that I wonder — I do not know. Maybe the act is more obvious if you are the sort of person who is being dramatized or caricatured. (I experience something like that when I hear modern country songs on the radio, all that cheerful alcoholism and casual adultery and ridiculous good-ol’-boy posturing.) It would be weird to describe black men as “acting black,” but whatever they were up to was the opposite of “acting white.”

There’s a certain kind of conservative who loves to talk about “acting white,” i.e., about the legendary social sanction purportedly applied to African Americans who try too hard in school or who speak in an English that is too standard or who have interests and aspirations other than the ones that black people are stereotypically supposed to have. (“Acting white” isn’t a complaint exclusive to African Americans. My friend Jay Nordlinger relates a wonderful story about the American Indian educator Ben Chavis, who once was accused by a sister of “acting white.” His reply: “‘Acting white’ is not enough. I’m acting Jewish. Or maybe Chinese.”) Oh, how we love to knowingly tut-tut about “acting white,” with the obvious implication that black Americans corporately would be a good deal better off if they would do a little more acting white. That sort of thing is not entirely unique to conservatives, of course: Nine-tenths of all social criticism involving the problems of the American underclass consists of nice college graduates and policy professionals of many races and religions wondering aloud why they can’t be more like us, which is why so much social policy is oriented toward trying to get more poor people to go to college, irrespective of whether they want to do so or believe they would benefit from it. 
Conservatives have a weakness for that “acting white” business because we are intellectually invested in emphasizing the self-inflicted problems of black America, for rhetorical and political reasons that are too obvious to require much elaboration. It’s a phenomenon that may or may not be exaggerated. John McWhorter argues that it is a real problem, and makes a pretty good case. So did President Barack Obama, who called on the nation to “eradicate the slander that says a black youth with a book is acting white.” I am not sure that a white man from Lubbock, Texas, has a great deal to add to President Obama’s argument there. But I do have something to say about the subject of white people acting white.

Tuesday, June 13, 2017

"Comedians" Gatekeep and Control Low Attention/Information Political Discourse


slate |  But things really went off the rails in this exchange, when Stone tried very hard not to answer a yes or no question with “yes” or “no.”
Colbert: Do you like Vladimir Putin? After spending twenty hours with the guy, do you trust him?
Stone: I think you should see the film for yourself.
Colbert: I’m just asking you a question. Do you trust him after spending twenty hours with him? I’d like to see the film, I haven’t had a chance to see it yet.
Stone: He’s a head of state, he has Russian—he has his own interests in Russia. I respect him for that, I understand why he’s doing it. He’s a strong nationalist…
By the time Stone got to his monologue about how Putin refused to badmouth anyone despite being “insulted and abused,” the audience was audibly scoffing, and Colbert wasn’t above feeding off the mood of the crowd. “Anything about him negative you found?” he asked as a follow-up, to laughter and applause. “Anything? Anything? Or does he have your dog in a cage somewhere?” The final straw came when Stone suggested that Russia was a convenient scapegoat for people who didn’t like Trump. Colbert interrupted him, dropped the “some people say” pose, and spoke for himself:
Colbert: I don’t understand why our president will never say anything negative about Vladimir Putin, given that Putin is an oppressive leader of his country who suppresses the free press and arrests his enemies—that is not something that I as an American or a member of the press can respect. And I’m surprised that you do respect that.
Stone: Well, you know I’ve always been for free speech.
Colbert: Yes, and it doesn’t seem like he would be a hero of that.
Stone: Listen, no question he’s a social conservative in that way, he believes that [Audience laughter] I don’t know why you’re laughing, but it’s—he believes strongly that—
Colbert: Because it seems like a mild description of his behavior. That’s why they’re laughing.
It’s brutal. Stone does make one good point, which is that it’s ridiculous to talk about a four-hour film based on a few clips, or even two hours. “What I said is in this four-hour documentary,” he told Colbert. “I think that if you watch it patiently, you’ll see that it’s developed, it’s a film, it has a flow from 2000 all the way to 2017—we went back after the election to talk to him seriously about the election.” He also specifically mentions the pressing Putin harder in the fourth episode. It’s possible that Stone established a base of trust with Putin before hitting him with harder questions—in fact, that’s exactly what Colbert did with his ramble about how great it was to talk philosophy with “an Oliver Stone” before asking him if he’d conducted “a fawning interview with a brutal dictator.”

Friday, December 09, 2016

When Memes Fail You


p2pfoundation |  I know this has been a rough time for a lot of you, and I hope you are doing well. In brief: Yes, there has been a major electoral upheaval, and it seems there are many confused people out there working under some pretty strange assumptions. But no, this isn’t as much of a shift as it may seem.

If anything, this is the legacy of the 20th Century coming back to haunt us. In an effort to counter the propaganda of our political enemies, American social scientists (Bateson and Meade, to be exact) proposed a world of screens they called “the surround.” Their idea was that if people had the experience of choosing different things – or of looking at whichever screen they wanted to – they wouldn’t care so much that all the choices were for essentially the same thing.

In short, looking at a screen – any screen – was more important than what a person learned or came to believe, other than that he or she was experiencing real autonomy and choice. That was supposed to be America: the land of choices. The supermarket offers us fifty different laundry detergents to choose from – even though they are almost all the same, and are distributed by the same two or three corporations. You can choose whichever one you want, as long as you choose (and pay for) one of them.

An array of TV channels gave us a similar experience of choice. But Bateson and Meade probably never imagined a world with quite as many screens as ours now has. Or as much of a direct connection between our experience of screen choice and that of democracy. American Idol and other reality programs made the connection discrete. And thus Donald Trump’s migration from reality TV to electoral politics was seamless. Social media and smart phones took screens to the next level of illusory user-control, while they simply reduced the array of possibilities to a narrow beam of sensationalist, algorithmically assembled, self-affirmation.

But the underlying techniques for influencing people through all those screens? That’s magic. Or at least the approach to magic practiced by Hitler and his propagandists in WWII, before it was utilized by the British and American advertising agencies after the war. It’s the subject of the graphic novel I released last week – Aleister & Adolf – about the occult war between Aleister Crowley and Adolf Hitler at the end of WWII. I hadn’t meant it to be quite so prescient, but it’s a great way of understanding how we got where we are. The social media landscape is the ideal space for sigils and memetic engineering because we are utterly untethered from grounded experience. Those who succeed at these techniques are the ones who successfully tap into existing hidden agendas in popular culture. They just jump into the unacknowledged standing wave of society, and it carries them along for the ride. It’s not the subject or surfer that matters so much as the wave itself, and one’s willingness to surrender to it entirely. That’s why celebrities or candidates who adopt this strategy end up seeming to have no coherent goal.

Saturday, October 15, 2016

Welcome to the post-Hobbesian dystopia: a war of everyone against themselves.


Guardian |  What greater indictment of a system could there be than an epidemic of mental illness? Yet plagues of anxiety, stress, depression, social phobia, eating disorders, self-harm and loneliness now strike people down all over the world. The latest, catastrophic figures for children’s mental health in England reflect a global crisis.

There are plenty of secondary reasons for this distress, but it seems to me that the underlying cause is everywhere the same: human beings, the ultrasocial mammals, whose brains are wired to respond to other people, are being peeled apart. Economic and technological change play a major role, but so does ideology. Though our wellbeing is inextricably linked to the lives of others, everywhere we are told that we will prosper through competitive self-interest and extreme individualism.

In Britain, men who have spent their entire lives in quadrangles – at school, at college, at the bar, in parliament – instruct us to stand on our own two feet. The education system becomes more brutally competitive by the year. Employment is a fight to the near-death with a multitude of other desperate people chasing ever fewer jobs. The modern overseers of the poor ascribe individual blame to economic circumstance. Endless competitions on television feed impossible aspirations as real opportunities contract.

Consumerism fills the social void. But far from curing the disease of isolation, it intensifies social comparison to the point at which, having consumed all else, we start to prey upon ourselves. Social media brings us together and drives us apart, allowing us precisely to quantify our social standing, and to see that other people have more friends and followers than we do.

As Rhiannon Lucy Cosslett has brilliantly documented, girls and young women routinely alter the photos they post to make themselves look smoother and slimmer. Some phones, using their “beauty” settings, do it for you without asking; now you can become your own thinspiration. Welcome to the post-Hobbesian dystopia: a war of everyone against themselves.

the outgroup intolerance hypothesis for schizophrenia


rpsych |  This article proposes a reformulation of the social brain theory of schizophrenia. Contrary to those who consider schizophrenia to be an inherently human condition, we suggest that it is a relatively recent phenomenon, and that the vulnerability to it remained hidden among our hunter-gatherer ancestors. Hence, we contend that schizophrenia is the result of a mismatch between the post-Neolithic human social environment and the design of the social brain. We review the evidence from human evolutionary history of the importance of the distinction between ingroup and out-group membership that lies at the heart of intergroup conflict, violence, and xenophobia. We then review the evidence for the disparities in schizophrenia incidence around the world and for the higher risk of this condition among immigrants and city dwellers. Our hypothesis explains a range of epidemiological findings on schizophrenia related to the risk of migration and urbanization, the improved prognosis in underdeveloped countries, and variations in the prevalence of the disorder. However, although this hypothesis may identify the ultimate causation of schizophrenia, it does not specify the proximate mechanisms that lead to it. We conclude with a number of testable and refutable predictions for future research.

Monday, October 03, 2016

the haunted smile: a brave comedian ridicules the armed faction of american nazism...,


rawstory |  “Snow White wasn’t afraid of apples before she bit into that really bad one. But I’ll tell you, the next time an old lady comes at her with a piece of fruit, Snow is going to get the f*ck out of there.”

That argument, he said, “has some real problems.” Many “good apples,” he said, are forced to enforce bad laws and policies that systematically persecute non-whites. Furthermore, police aren’t being forthcoming with accurate statistics.

“Even some of the most basic questions are hard to answer,” he said, as FBI Director James Comey pointed out when he said before Congress that “We can’t have an open discussion because we don’t have the data.”

Oliver said that some schools are teaching students how to interact with police in order to minimize the chance of being shot, which he called “f*cking depressing,” but noted that this is the only class students take where they don’t wonder when they’ll get to use these lessons in real life.

The “bad apples” argument, he said, does a disservice to the issue and to the people who police are sworn to protect.

Wednesday, July 08, 2015

faux news claims anti-brutality protestors are the cultural brothers and sisters of terrorist dylan roof


salon |  In another segment, Doocy — who earlier noted that flag-burning is protected speech — asked Fox News legal analyst Peter Johnson Jr. whether flag-burning is protected speech. “Burning the flag is protected by the Constitution,” Johnson said, “but there are laws in New York that say you can’t be burning stuff without a permit, and certainly not in a park.”

“This group, Disarm NYPD, is the essence of anarchist values that seek to destroy this country,” Johnson continued, apropos of nothing. “‘But Peter,’ people say, ‘you wear a flag pin and are on Fox News.’ These folks are the cultural cousins, the cultural brothers and sisters and that maniac racist murderer in Charleston, South Carolina, who decided that he was going to burn the flag and show it on social media.”

“There’s little difference between they propose to do and what he did,” Johnson added, apparently forgetting that Dylann Roof also murdered nine people. “They’re on different ends of the same continuum of crazy, demented, un-American behavior that we all need to condemn.”

In yet another segment, Brian Kilmeade spoke to Fox News Medical A Team’s psychiatrist Keith Ablow, who blamed the Disarm NYPD protest on President Barack Obama.

“These folks have been led down the wrong path by a president, a former attorney general, and a mayor of New York City, who encourage people to hate others, who encourage people not to see in this country the evolving story of tolerance and brotherhood, but instead to see in history elements that were ugly,” he said. “When you elect a president who attended a church with a pastor tells people America’s reprehensible and people vote for him anyhow because he has a nice smile, this is what happens — you fracture your culture.”

Thursday, June 25, 2015

fact-resistant canonical BD'ism the root of most domestic terrorism


NYTimes |  In the 14 years since Al Qaeda carried out attacks on New York and the Pentagon, extremists have regularly executed smaller lethal assaults in the United States, explaining their motives in online manifestoes or social media rants.

But the breakdown of extremist ideologies behind those attacks may come as a surprise. Since Sept. 11, 2001, nearly twice as many people have been killed by white supremacists, antigovernment fanatics and other non-Muslim extremists than by radical Muslims: 48 have been killed by extremists who are not Muslim, including the recent mass killing in Charleston, S.C., compared with 26 by self-proclaimed jihadists, according to a count by New America, a Washington research center.

The slaying of nine African-Americans in a Charleston church last week, with an avowed white supremacist charged with their murders, was a particularly savage case.

But it is only the latest in a string of lethal attacks by people espousing racial hatred, hostility to government and theories such as those of the “sovereign citizen” movement, which denies the legitimacy of most statutory law. The assaults have taken the lives of police officers, members of racial or religious minorities and random civilians.

Non-Muslim extremists have carried out 19 such attacks since Sept. 11, according to the latest count, compiled by David Sterman, a New America program associate, and overseen by Peter Bergen, a terrorism expert. By comparison, seven lethal attacks by Islamic militants have taken place in the same period.

If such numbers are new to the public, they are familiar to police officers. A survey to be published this week asked 382 police and sheriff’s departments nationwide to rank the three biggest threats from violent extremism in their jurisdiction. About 74 percent listed antigovernment violence, while 39 percent listed “Al Qaeda-inspired” violence, according to the researchers, Charles Kurzman of the University of North Carolina and David Schanzer of Duke University. Fist tap John.


Friday, May 08, 2015

normotic nabobs normalized nazism...,


thenation |  The public exposure in mid-2004 of a government-sanctioned and highly bureaucratized program of torture and cruel treatment caused a political crisis that threatened to derail the Bush administration’s interrogation and detention policies. In the wake of that crisis, some American Psychological Association (APA) senior staff members and leaders colluded, secretly, with officials from the White House, Defense Department and CIA to enable psychologists’ continuing participation in interrogations at CIA black sites, Guantánamo, and other overseas facilities. One result of this collusion was a revision in 2005 of the APA’s code of ethics for interrogations in order to provide cover for psychologists working in these facilities.

The participation of psychologists was essential for the CIA’s torture program to continue during the Bush years. The legal authority for CIA interrogations was based on then-classified Office of Legal Counsel memos. The first set of memos, authored by John Yoo, signed by OLC head Jay Bybee and dated August 1, 2002, were withdrawn in late 2003 by Jack Goldsmith (who replaced Bybee when he became a federal judge). In June 2004, one of the Yoo/Bybee “torture memos” was leaked to the press, and public outcry about the legal reasoning—especially among lawyers—created pressure on the Bush administration to release some additional legal memos and policy directives relevant to prisoner policies. In December 2004, acting OLC head Daniel Levin revised the narrow definition of torture in the Yoo/Bybee memos but reaffirmed their legal opinions. In the spring of 2005, the CIA requested new legal opinions to validate the techniques in use, and OLC head Stephen Bradbury authored three new memos in May. All of these OLC opinions were a “golden shield” against future prosecutions of officials responsible for the CIA program. According to Bradbury’s 2005 memos, the involvement of health professionals in monitoring and assessing the effects of “enhanced” techniques was necessary in order for them to be considered legal.

Why was the APA’s secret collusion so essential for continuance of the program? A key reason was because other physicians and psychiatrists were increasingly reluctant to participate in national security interrogations. In June 2005, doctors in the CIA’s Office of Medical Services refused a new role required by the Bradbury memos to engage in monitoring and research to determine whether the treatment and conditions to which a detainee was subjected were cruel, inhumane, and degrading. In 2006 the American Psychiatric Association and the American Medical Association passed directives barring their members from participating in such interrogations on professional ethical grounds. The APA, in collaboration with the Bush administration, was willing to allow psychologists to fill the role balked at by other health professionals.

Details of this collusion—which APA officials have concealed and denied for a decade—are the subject of a new report, All the President’s Psychologists, authored by Drs. Stephen Soldz and Steven Reisner, and Nathaniel Raymond. The information comes from 638 e-mails from the accounts of a RAND Corporation researcher and CIA contractor, Scott Gerwehr, who died in 2008. James Risen, a New York Times journalist and author, most recently, of Pay Any Price, obtained the e-mails through Freedom of Information Act litigation and shared them with the report’s authors.

Monday, January 26, 2015

Autonomous Meaning REDUX originally posted 7/17/08

Extract from William Pensinger's Strategic Assessment Part 10.
I do not consider the essential quandary in the existing global circumstance a mere matter of whether or not Al Qaeda and Associates is going to win “the clash of civilizations”; much, much more is involved in the prevailing historical conjuncture than simply one take on coercive imposition of planetary monoculture prevailing over another such take. But people don't see it; and not seeing it, they cannot see what AQ & A is actually all about; and not seeing what AQ & A is all about, they cannot comprehend its self-organizational initiative; and not cognizing the organizational dynamic, they cannot see how “what AQ & A is actually all about” regressively embodies very large issues the human species is fatally foundering upon. And these non-comprehenders, because of their inability to comprehend, regard such usage as “fatally” in “fatally foundering” as hysterical exaggeration. The human species is not, repeat not, they insist, launched upon a collective and cooperative martyrdom operation modeled upon lemming behavior, no matter what ecologists like Peter Turchin might think. Hah! What else could the editorial exemplars of normotic illness at The Economist possibly conclude? Aye, open up, that yon of yours, and you find… nowt! Bloomin' mercy, it's beginning to notice! And it will soon be all! Nothing is the number when you die! The “why” of their non-comprehension is firstly, even predominantly, a matter of psychological ineptitude, most especially introspective incompetence. An incompetence with consequences. They do not believe that everything is connected to everything else. In spite of the unconscious being infinite sets, they do not believe in Germanic, indeed Hegelian, notions like superintegration and overdetermination. They believe that reality is as fragmented as their inner state, as are their perceptions and proprioceptions, as is the knowledge base -- and that “the mechanism of meaning” and “history as force” (vector sums of Newtonian force-structures) verify, and will continue to verify, truth-value validity of the involved “identitarian” 1T2 outside-inside isomorphism. And they make judgments based on cultivation of this tacitly held imputed schematic isomorphism. Such reliance on mere sculpture! In spite of the haptification of space and the concretion of time.

self-fulfilling diagnosis of normotic illness? REDUX originally posted 1/12/10

ScientificAmerican | California scientists have discovered clusters of autism, largely in the Los Angeles and San Francisco areas, where children are twice as likely to have autism as children in surrounding areas.

The 10 clusters were found mostly among children with highly educated parents, leading researchers to report that they probably can be explained by better access to medical experts who diagnose the disorder.

Because of the strong link to education, the researchers from University of California at Davis said the new findings do not point to a localized source of pollution, such as an industry, near the clusters.

“I suspect access to services plays the major role,” said Irva Hertz-Picciotto, senior author of the study published Tuesday in the journal Autism Research.

She added, however, that there could be other reasons why higher-educated parents lead to more autism. Environmental exposures, such as chemicals from consumer products, could be more common in those households, she said.

“Certainly there may be some consumer products to which more educated persons are more likely to be exposed. There is undoubtedly a possibility of higher exposures in the more educated,” said Hertz-Picciotto, a professor of public health sciences and an autism expert at the UC Davis MIND Institute.

For the study, the researchers analyzed the birth records of about 2.5 million babies born in California between 1996 and 2000. Nearly 10,000 were later diagnosed with an autism spectrum disorder.

Autism is a neurological disorder involving impaired social development and communication skills. Experts believe that it is caused during pregnancy or early infancy since symptoms often arise by age two or three.

The new research is the first time that anyone has looked for geographic areas with high incidence, or clusters, of autism, according to lead author Karla Van Meter, an epidemiologist.

The 10 clusters were located in: the Torrance, Beverly Hills, Van Nuys and Calabasas areas of Los Angeles County; the Laguna Beach/Mission Viejo area of Orange County; the La Jolla/Del Mar area of San Diego County; San Francisco; the Sunnyvale/Santa Clara area; the Redwood City area; and Fresno. Two other possible clusters were also found in the Norwalk/Cerritos area of Los Angeles County and the Modesto area.

Master Arbitrageur Nancy Pelosi Is At It Again....,

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