Compliant Meat-Robots Don't Get To Question The Status Quo

realitysandwich  |  DMT (N, N-dimethyltryptamine) is an incredibly powerful, short-lasting tryptamine psychedelic found naturally in animals, fungi, and a wide variety of plants. DMT experiences are characterized by fantastic visions and breakthrough events, including most interestingly, contact with a range of entities. Among these DMT entities, “machine elves”, or “clockwork elves”, are some of the most well-recognized in the DMT realm, even cross-culturally. In this article, we will take a deep dive into machine elves, and also explore some of the other DMT entities that are commonly reported in DMT trips.

Overview of DMT Entities

Contact with entities is reported in the majority of DMT trip reports in the West, but also in a multitude of non-Western cultures. This ranges from the ancient shamanic traditions of Native Americans to indigenous Australian and African tribes.

In the West, the psychiatrist Rick Strassman was the first to conduct human research with DMT at the University of New Mexico throughout the early 1990s. In the five year study, nearly 400 doses of DMT were given to 60 volunteers. In his book DMT The Spirit Molecule, where he documents these experiences, Strassman writes, 

“I was neither intellectually nor emotionally prepared for the frequency with which contact with beings occurred in our studies, nor the often utterly bizarre nature of these experiences.”  

Indeed, of the thousand pages of notes taken throughout the course of Strassman’s research, 50% of them involve interactions with DMT entities. Similarly, Philip Mayer collected and analyzed 340 DMT trip reports in 2005. Mayer found that 66% of them (226) referenced independently-existing entities that interact in an intelligent and intentional manner.

According to Strassman, the research subjects described contact with “entities”, “beings”, “aliens”, “guides”, and “helpers”. Contact with “life-forms” such as clowns, reptiles, mantises, bees, spiders, cacti, and stick figures was commonplace among the volunteers as well. Interestingly, the DMT entities appear sentient and autonomous in their behavior, as if denizens of a free-standing, independent reality.

What are Machine Elves and Clockwork Elves?

Machine elves is a term coined by the ethnobotanist, philosopher, and writer Terence Mckenna to describe some of the entities that are encountered in a DMT trip. They’ve come to be known by many names, including “clockwork elves”, “DMT elves”, “fractal elves”, and “tykes” (a word for small child). 

In his book Archaic Revival, Mckenna refers to them as “self-transforming machine elves.” In any case, they are inhabitants of the DMT dimension that often try to teach something to whoever is visiting. McKenna frequently resorts to a series of metaphors to describe his experiences with machine elves (and the DMT experience in general), underscoring the difficulty of reducing such ineffable experiences to the lower dimensionality of language. 

As detailed in his book True Hallucinations, Mckenna traveled with his brother and some friends to La Chorrera in the Columbian Amazon in search of Oo-koo-he, a DMT-containing plant preparation used by the indigenous people to access the spirit realms. Mckenna found their descriptions of entity contact resembled his own experiences with the machine elves,

“What was eye-catching about the description of this visionary plant preparation was that the Witoto tribe of the Upper Amazon, who alone knew the secret of making it, used it to talk to “little men” and to gain knowledge from them.“

Machine elves are frequently portrayed in trip reports as benevolent, playful, prankish, and sometimes ornery. Generally, they’re reported to greet the visitors with a child-like curiosity and innocence, often continuously changing form and singing immensely complicated objects into existence. They commonly urge the DMT realm visitors to try to focus on what they are showing them, or even want the subject to imitate what they are doing.

What Are Machine Elves? (Dudes Who Have And Have Not Ingested DMT Speculate)

trueself  |   One of the most common things that people see on DMT is what Terrence McKenna described as "machine elves." In the 1970s, McKenna and his brother traveled to the Amazon to try ayahuasca, and experimented with the drugs for a series of 11 days. They came away having seen " a universe of active intelligence that is transhuman, hyperdimensional, and extremely alien," according to McKenna, who described these alien intelligences as "self-transforming machine elves."

According to McKenna, the elves are capable of "singing structures into existence. "What they're doing is making objects with their voices, singing structures into existence," he wrote. "They offer things to you, saying 'Look at this! Look at this!' and as your attention goes towards these objects you realize that what you're being shown is impossible. It's not simply intricate, beautiful and hard to manufacture, it's impossible to make these things. The nearest analogy would be the Fabergé eggs, but these things are like the toys that are scattered around the nursery inside a U.F.O., celestial toys, and the toys themselves appear to be somehow alive and can sing other objects into existence, so what's happening is this proliferation of elf gifts, which are moving around singing, and they are saying 'Do what we are doing' and they are very insistent, and they say 'Do it! Do it! Do it!' and you feel like a bubble inside your body beginning to move up toward your mouth, and when it comes out it isn't sound, it's vision. You discover that you can pump 'stuff' out of your mouth by singing, and they're urging you to do this."

There are many different theories as to what these "machine elves" might actually be. McKenna theorized that the elves were humans from the future, returning to give us some kind of wisdom or insight.

Other conspiracy theorists have gone down darker paths, with conspiracy theorist Alex Jones theorizing that the elves are aliens who have taken control of world leaders to do their malicious biddings. Jones believes the elves are the true source of the Illuminati, whispering their dark messages into the ears of world leaders.

Another theory says that machine elves are the same creatures that appear in folklore across the ages — elves, fairies, imps, and other magical creatures. Some Celtic people believed that these creatures were spirits of the dead, returned to communicate with the living. Anthropologist Walter Evans-Wentz chronicled this folklore extensively, and in his 1911 book The Fairy-Faith in Celtic Countries, he proposed that these creatures exist "as a supernormal state of consciousness into which men and women may enter temporarily in dreams, trances, or in various ecstatic conditions."

The "machine elves" also bear similarities to other supernatural creatures. The aforementioned Journal of Psychopharmacology study found that ""[DMT]-occasioned entity encounter experiences have many similarities to non-drug entity encounter experiences such as those described in religious, alien abduction, and near-death contexts."

Some people are far more skeptical, such as James Kent, who proposes that we see humanoid creatures in DMT visions because "we humans must have innate evolutionary wetware that forces our senses to latch onto any piece of anthropomorphic data that pops into otherwise randomly uniform data."

So what are the machine elves? Are they random hallucinations, malicious Illuminati members, or visitors from the past or future here to give us the solutions to all of our problems? It's up to you to decide.

Graham Hancock's Banned War On Consciousness TED Talk

grahamhancock  |  What is Western civilization all about? What are its greatest achievements and highest aspirations?

It’s my guess that most people’s replies to these questions would touch—before all the other splendid achievements of science, literature, technology, and the economy—on the nurture and growth of freedom.

Individual freedom.

Including, but not limited to freedom from the unruly power of monarchs, freedom from the unwarranted intrusions of the state and its agents into our personal lives, freedom from the tyranny of the Church and its Inquisition, freedom from hunger and want, freedom from slavery and servitude, freedom of conscience, freedom of religion, freedom of thought and speech, freedom of assembly, freedom to elect our own leaders, freedom to be homosexual—and so on and so forth.

The list of freedoms we enjoy today that were not enjoyed by our ancestors is indeed a long and impressive one. It is therefore exceedingly strange that Western civilization in the twenty- first century enjoys no real freedom of consciousness.

There can be no more intimate and elemental part of the individual than his or her own consciousness. At the deepest level, our consciousness is what we are—to the extent that if we are not sovereign over our own consciousness then we cannot in any meaningful sense be sovereign over anything else either. So it has to be highly significant that, far from encouraging freedom of consciousness, our societies in fact violently deny our right to sovereignty in this intensely personal area, and have effectively outlawed all states of consciousness other than those on a very narrowly defined and officially approved list. The “War on Drugs” has thus unexpectedly succeeded in engineering a stark reversal of the true direction of Western history by empowering faceless bureaucratic authorities to send armed agents to break into our homes, arrest us, throw us into prison, and deprive us of our income and reputation simply because we wish to explore the sometimes radical, though always temporary, alterations in our own consciousness that drugs facilitate.

The reason the anti-marijuana campaigns have failed is that millions of users know from their own direct, long-term experience that marijuana does not do them any great harm and (with reference to the most recent anti-marijuana propaganda) most definitely does not drive them mad.

Other than being against arbitrary rules that the state has imposed on us, personal drug use by adults is not a “crime” in any true moral or ethical sense and usually takes place in the privacy of our own homes, where it cannot possibly do any harm to others. For some it is a simple lifestyle choice. For others, particularly where the hallucinogens such as LSD, psilocybin, and DMT are concerned, it is a means to make contact with alternate realms and parallel dimensions, and perhaps even with the divine. For some, drugs are an aid to creativity and focussed mental effort. For others they are a means to tune out for a while from everyday cares and worries. But in all cases it seems probable that the drive to alter consciousness, from which all drug use stems, has deep genetic roots.

Other adult lifestyle choices with deep genetic roots also used to be violently persecuted by our societies.

A notable example is homosexuality, once punishable by death or long periods of imprisonment, which is now entirely legal between consenting adults—and fully recognized as being none of the state’s business—in all Western cultures. (Although approximately thirteen US states have “anti-sodomy” laws outlawing homosexuality, these statutes have rarely been enforced in recent years, and in 2003 the US Supreme Court invalidated those laws.) The legalization of homosexuality lifted a huge burden of human misery, secretiveness, paranoia, and genuine fear from our societies, and at the same time not a single one of the homophobic lobby’s fire-and-brimstone predictions about the end of Western civilization came true.

Likewise, it was not so long ago that natural seers, mediums, and healers who felt the calling to become “witches” were burned at the stake for “crimes” that we now look back on as harmless eccentricities at worst.

At the deepest level, our consciousness is what we are—to the extent that if we are not sovereign over our own consciousness then we cannot in any meaningful sense be sovereign over anything else either.

Perhaps it will be the same with drugs? Perhaps in a century or two, if we have not destroyed human civilization by then, our descendants will look back with disgust on the barbaric laws of our time that punished a minority so harshly (with imprisonment, financial ruin, and worse) for responsibly, quietly, and in the privacy of their own homes seeking alterations in their own consciousness through the use of drugs. Perhaps we will even end up looking back on the persecution of drug users with the same sense of shame and horror that we now view the persecution of gays and lesbians, the burning of “witches,” and the imposition of slavery on others.

Meanwhile it’s no accident that the “War on Drugs” has been accompanied by an unprecedented expansion of governmental power into the previously inviolable inner sanctum of individual consciousness. On the contrary, it seems to me that the state’s urge to power has all along been the real reason for this “war”—not an honest desire on the part of the authorities to rescue society and the individual from the harms caused by drugs, but the thin of a wedge intended to legitimize increasing bureaucratic control and intervention in almost every other area of our lives as well.

This is the way freedom is hijacked—not all at once, out in the open, but stealthily, little by little, behind closed doors, and with our own agreement. How will we be able to resist when so many of us have already willingly handed over the keys to our own consciousness to the state and accepted without protest that it is OK to be told what we may and may not do, what we may and may not explore, even what we may and may not experience, with this most precious, sapient, unique, and individual part of ourselves?

If we are willing to accept that then we can be persuaded to accept anything.

Another Broadside Ad Hominem Against Hancock By A Local Mediocrity Known To Me...,

slate |  Netflix’s new hit Ancient Apocalypse is an odd duck: a docuseries filmed in many gorgeous and historic locations (Turkey, Mexico, Indonesia, … uh, Ohio) that advances a provocative thesis aimed furiously at a single academic discipline. The argument is essentially this: The authorities who study human prehistory are ignoring—or covering up—the true foundations of the world as we know it today. And the consequences could be catastrophic.

Graham Hancock, the journalist who hosts the series, returns again and again to his anger at this state of affairs and his status as an outsider to “mainstream archaeology,” his assessment of how terrible “mainstream archaeology” is about accepting new theories, and his insistence that there’s all this evidence out there but “mainstream archaeologists” just won’t look for it. His bitter disposition, I’m sure, accounts for some of the interest in this show. Hancock, a fascinating figure with an interesting past as a left-leaning foreign correspondent, has for decades been elaborating variations on this thinking: Humans, as he says in the docuseries, have “amnesia” about our past. An “advanced” society that existed around 12,000 years ago was extinguished when the climate changed drastically in a period scientists call the Younger Dryas. Before dying out completely, this civilization sent out emissaries to the corners of the world, spreading knowledge, including building techniques that can be found in use at many ancient sites, and sparking the creation of mythologies that are oddly similar the world over. It’s important for us to think about this history, Hancock adds, because we also face impending cataclysm. It is a warning.

Scientists, Hancock says, don’t want to believe any of this because they don’t like to think about mythology or astronomy, both of which he often uses to prove his points. Coming to terms with this paradigm shift would also rock the foundations of their discipline. Hancock, scientists say, doesn’t understand how eagerly they’d leap at this evidence if it really existed, in an empirical and reproducible form. (As archaeologist Carl Feagans writes in a review of Ancient Apocalypse, “Every single archaeologist I know would be elated to discover any previously unknown civilization of the Ice Age. Or any age for that matter.”)

One of the oddest aspects of Ancient Apocalypse is how largely absent these nasty mainstream archaeologists are from its run time. Joe Rogan, who has had Hancock on his podcast multiple times, makes a few appearances, lauding Hancock’s free-thinking ways. The other talking heads are either pro-Hancock or edited to look that way. Michael Shermer, of Skeptic magazine, who debated Hancock on Rogan’s show in 2017, merits a 20-second appearance in which he manages to get across one single argument against Hancock’s theory: “If this civilization existed, where are their trash heaps, where are their homes, where are their stone tools or metal tools, where is the writing?” That’s it—then back to Hancock, the “just asking questions,” the rancor.

John Hoopes, an archaeologist at the University of Kansas, is one of the mainstream archaeologist naysayers of the kind Hancock targets without naming. Hoopes has often written about the history of alternative and pseudoarchaeology, and about Hancock himself; his Twitter feed has been full, over the past week, with conversation between academic archaeologists about the specific claims in Ancient Apocalypse.

I called him to ask what people who aren’t up to speed with Hancock’s work should know if they watch this show. Our conversation has been edited and condensed for clarity.

Rebecca Onion: What can you say about the difference between the way academic archaeology approaches evidence and how Graham Hancock does?

John Hoopes: Graham Hancock is not and does not want to be seen as a scientist or a historian. He is coming from a metaphysical place. He’s inspired by Western esoterica. For him, the significance of a lot of this information is sort of intuitive and is confirmed to him through his personal revelatory experiences.

There’s a TEDx presentation he did back in 2013, called “The War on Consciousness,” in which he explained that he had been smoking cannabis daily for 25 years and finally stopped using it because he had an ayahuasca experience and found that it was a more meaningful and revelatory experience than his daily use of cannabis. [This TEDx talk sparked controversy within the TED organization after it went up on YouTube, described here.] So, if it seems like, in watching the show, his perspective has been influenced by drugs, it’s because it has.

What About Maurits Cornelis Escher?

mcescher  | Maurits Cornelis Escher (1898-1972) is one of the world’s most famous graphic artists. His art is admired by millions of people worldwide, as can be seen by the many websites on the internet.

He is born in Leeuwarden as the fourth and youngest son. After five years the family moves to Arnhem, where he spends most of his youth. After he has failed his final exam, and after a short interlude in Delft, M.C. Escher starts with his lessons in architecture at the School of Architecture and Decorative Arts in Haarlem.
Already after a week he informs his father that he wants to quit his architecture lessons and focus on studying graphic arts. He is supported in this by his teacher Samuel Jesserun de Mesquita, to whom he has shown his drawings and linocuts.

After completing his school, he travels for a long time through Italy, where he meets his wife Jetta Umiker and whom he marries in 1924. They go to Rome, where they live until 1935. During these 11 years M.C. Escher travels every year through Italy where he makes drawings and sketches that he later uses in his studio for his lithographs, woodcuts and wood engravings.

For example, the background in the lithograph Waterfall (1961) comes from his Italian period. The trees that are reflected in the woodcut Puddle(1952) are also the same trees that he uses in his woodcut Pineta by Calvi, made in 1932.

During the time that he lives and works in Italy, he makes beautiful, also more realistic works such as the Castrovalva litho in which one can see already his fascination for perspective: close, far, high and low. Likewise is the lithograph Atrani, a small town on the Amalfi coast in Italy, which he makes in 1931 and comes back in his masterpieces Metamorphosis I and II.

He is most famous for his so-called impossible drawings, such as Ascending and Descending and Relativity, but also for his metamorphoses, such as Metamorphosis I, II and III, Air and Water I and Reptiles.

During his lifetime, Escher made 448 lithographs, woodcuts and wood engravings and more than 2000 drawings and sketches. Just like some of his famous predecessors – Michelangelo, Leonardo da Vinci, Dürer and Holbein – Escher is left-handed.
In addition to his work as a graphic artist, he illustrates books, designs carpets and banknotes, stamps, murals, intarsia panels etc.
M.C. Escher is fascinated by the regular geometric figures of the wall and floor mosaics in the Alhambra, a fourteenth-century castle in Granada, Spain, which he visits in 1922 and 1936.

During his years in Switzerland and throughout the Second World War, he works with great energy on his hobby. He then makes 62 of the 137 symmetrical drawings he will make in his life. He also expands his hobby by using these symmetrical drawings for cutting wooden balls.

He plays with architecture, perspective and impossible spaces. His art continues to amaze and wonder millions of people around the world. In his work we recognize his excellent observation of the world around us and the expression of his own fantasy. M.C. Escher shows us that reality is wonderful, understandable and fascinating.

Was Louis Wain Mentally Ill? Or, Was He Accessing An Unusual Perceptual Modality?

flashbak  |  Louis Wain (5 August 1860 – 4 July 1939) was an English artist and diagnosed schizophrenic who made a name from drawing self-conscious, trippy and anthropomorphic cats and kittens. At the peak of his powers, he cranked out 1500 original paintings and sketches of cats every year. They were copied by the million. In Christmas 1903, you could buy 13 new Louis Wain books. He illustrated more than two-hundred books and had sixteen very successful Christmas annuals. “He made the cat his own,” said the author H.G. Wells. “He invented a cat style, a cat society, a whole cat world.” He was elected president of the National Cat Club, of course. “Louis Wain was on all our walls some 15 to 20 years ago,” wrote politician Ramsay MacDonald in 1925. “Probably no artist has given a greater number of young people pleasure than he has.”

A cat that has “lived a life of ease, seeing nobody and nothing beyond its mistress, will exhibit the most striking characteristics of its mistress. Another cat will, perhaps, show itself in the highest degree suspicious, taking after its master or mistress again; while a fourth, that has had to fight his way, will quarrel and rush at everything; and a fifth, that has been allowed to roam the country, will ruffle up its straw, get underneath its bed to hide right out of sight, and nothing but force will move it.”

– Wain – the November 1889 issue of Cassell’s Magazine on what he had learned from judging cat shows.

Wain was 24 when he sold his first drawing of cats to The Illustrated London News. Called ‘A Kitten’s Christmas Party’, the picture portrayed 150 cats doing all manner of humanistic things – holding a ball, sending invitations, playing games and making speeches. Spread over two pages, it was an instant hit. A few years earlier he’d sold his first picture: a  drawing of bullfinches. He drew more birds and animals with little success. And then came the catharsis. At age 23, Wain fell ill. Peter, a black-and-white cat, would sit on his bed. Wain passed the time by sketching his pal and handing the sketches to his wife, Emily. One picture featured 150 cats, each one doing its own thing. Success was his. Then tragedy struck. Three years after their marriage, Emily died.

How this changed Wain, we cannot be certain. But he never remarried and his mental health deteriorated. Despite huge commercial success, by the 1920’s Wain was broke. In 1924 he was committed to the pauper ward of London’s Springfield Mental Hospital. He continued to drew cats, experimenting with new styles and colours.

In 1925, his plight became common knowledge. A public appeal was made that raised £2,300. The money enabled Wain to move to the Bethlem Royal Hospital.

In 1930 Wain was transferred to Napsbury Hospital, near St Albans. Exhibitions of his work were held in London in 1931 and 1937, as well as a memorial exhibition shortly after his death.

 

 

This High Potency Gubmint-Sanctioned Weed Is Mind-Killing Poison

MSDNC  |  The high potency cannabis that is now widely available may raise the risk of both psychosis and addiction, a report published Monday in The Lancet Psychiatry finds.

The potency of cannabis — measured by how much THC is found in the product — has been rising for nearly half a century, increasing by approximately 0.29% each year from 1970 to 2017, according to earlier research. THC is the chemical in cannabis responsible for its psychoactive effects.

That change could have important implications for public health, experts say.

“With the increasing strength of cannabis available in the U.S. and around the globe, it’s important to understand the long-term health outcomes that might be associated with using these types of products as compared to what has traditionally been available,” said Ziva Cooper, director of the UCLA Center for Cannabis and Cannabinoids.

Marijuana is legal for recreational use in 19 states plus Washington, D.C., according to the National Conference of State Legislatures. Vermont is the only state that has a potency cap for cannabis products, though other states are looking into adding limits.

The finding that high potency cannabis is associated with a greater risk of psychosis and addiction “definitely should give people pause,” Cooper, who was not involved with the new research, said.

In Monday’s study, researchers analyzed data from 20 studies that included a total of nearly 120,000 cannabis users. They found that people with a first episode of cannabis-related psychosis were much more likely to have been using a product with high levels of THC than a product with low levels of the intoxicating chemical. Those using high potency weed were also much more likely to become addicted, compared to those who used low potency cannabis.

 

Mass Shootings And Psychiatric Medications

midwesterndoctor  |  In the 1990s, school shootings transition from being very rare to a frequent facet of American life. As this timeline overlaps with the entrance of SSRIs to the US market, many articles have evaluated the link between mass shootings and psychiatric medications.  I will quote a one of the more comprehensive summaries (written in 2013) which attempted to analyze all known mass shootings:

•Eric Harris age 17 (first on Zoloft then Luvox) and Dylan Klebold aged 18 (Columbine school shooting in Littleton, Colorado), killed 12 students and one teacher and wounded 23 others, before killing themselves. Klebold’s medical records have never been made available to the public. [A detailed summary of the clear contribution of the psychiatric medication's to their mass shootings can be found here]. 

•Jeff Weise, age 16, had been prescribed 60 mg/day of Prozac (three times the average starting dose for adults!) when he shot his grandfather, his grandfather’s girlfriend and many fellow students at Red Lake, Minnesota. He then shot himself. Ten dead, 12 wounded.

•Cory Baadsgaard, age 16, Wahluke (Washington state) High School, was on Paxil (which caused him to have hallucinations) when he took a rifle to his high school and held 23 classmates hostage. He has no memory of the event.

•Christopher Pittman, age 12, murdered both his grandparents while taking Zoloft.

•Kip Kinkel, age 15, (on Prozac and Ritalin) shot his parents while they slept then went to school and opened fire, killing two classmates and injuring 22 shortly after beginning Prozac treatment.

•Luke Woodham, age 16 (Prozac) killed his mother and then killed two students, wounding six others.

•A boy in Pocatello, ID (Zoloft) in 1998 had a Zoloft-induced seizure that caused an armed standoff at his school.

•Michael Carneal (Ritalin), age 14, opened fire on students at a high school prayer meeting in West Paducah, Kentucky. Three teenagers were killed, five others were wounded.

•Andrew Golden, age 11, (Ritalin) and Mitchell Johnson, aged 14, (Ritalin) shot 15 people, killing four students, one teacher, and wounding ten others.

•TJ Solomon, age 15, (Ritalin) high school student in Conyers, Georgia opened fire on and wounded six of his classmates.

•James Wilson, age 19, (various psychiatric drugs) from Breenwood, South Carolina, took a .22 caliber revolver into an elementary school killing two young girls and wounding seven other children and two teachers.

•Elizabeth Bush, age 13, (Paxil) was responsible for a school shooting in Pennsylvania

•Jason Hoffman (Effexor and Celexa) – school shooting in El Cajon, California

•Neal Furrow (Prozac) in LA Jewish school shooting reported having been court-ordered to be on Prozac along with several other medications.

•Hammad Memon, age 15, shot and killed a fellow middle school student. He had been diagnosed with ADHD and depression and was taking Zoloft and “other drugs for his conditions.”

•Matti Saari, a 22-year-old culinary student, shot and killed nine students and a teacher, and wounded another student, before killing himself. Saari was taking an SSRI and a benzodiazapine.

•Steven Kazmierczak, age 27, shot and killed five people and wounded 21 others before killing himself in a Northern Illinois University auditorium. According to his girlfriend, he had recently been taking Prozac, Xanax, and Ambien. Toxicology results showed that he still had trace amounts of Xanax in his system.

•Finnish gunman Pekka-Eric Auvinen, age 18, had been taking antidepressants before he killed eight people and wounded a dozen more at Jokela High School – then he committed suicide.

•Asa Coon from Cleveland, age 14, shot and wounded four before taking his own life. Court records show Coon was on Trazodone.

•Jon Romano, age 16, on medication for depression, fired a shotgun at a teacher in his New York high school.

The article also discussed a few recent school shootings where the information to determine if a psychiatric medication was used was not available:

•What drugs was Jared Lee Loughner on, age 21…… killed six people and injuring 14 others in Tuscon, Az? [I was unable to locate any information on this case]

•What drugs was James Eagan Holmes on, age 24….. killed 12 people and injuring 59 others in Aurora Colorado? [Holmes was on Zoloft, which likely triggered violent behaviors in him in the weeks preceding the mass shooting, all of which his psychiatrist ignored.]

•What drugs was Adam Peter Lanza on, age 20, Killed 26 and wounded 2 in Newtown Ct.? [Lanza was later confirmed to have been prescribed Celexa in the past and was on a questionable antipsychotic, fanapt, known for inducing violent behavior at the time of the shooting]

Since the time this article was published, there have been four additional large school shootings:

•Christopher Harper-Mercer (2015) who killed 10 was likely on psychiatric medication but there is no definitive proof.

•Nikolas Cruz (2017) who killed 17 was likely on on psychiatric medication but there is no definitive proof.

•Dimitrios Pagourtzis (2018) who killed 10 was probably not on a psychiatric medication. His attorney said he was not (which may have been a deceitful legal maneuver, but most likely was the truth), while the president of the NRA said he was (and I was not able to determine his basis for this assertion).

Lastly, for Salvador Ramos (2022) who recently killed 22, there have been many posts stating he was on antidepressants, but while there is some circumstantial evidence suggesting this, there is presently no reliable information to confirm or deny it. For a more detailed summary of my thoughts on this matter, please see this comment.

Why Didn't School Shootings Happen Before 1999?

 WaPo  | The Washington Post has spent years tracking how many children have been exposed to gun violence during school hours since the Columbine High massacre in 1999.

Beyond the dead and wounded, children who witness the violence or cower behind locked doors to hide from it can be profoundly traumatized.

The federal government does not track school shootings, so The Post pieced together its numbers from news articles, open-source databases, law enforcement reports and calls to schools and police departments.

While school shootings remain rare, there were more in 2021 — 42 — than in any year since at least 1999. So far this year, there have been at least 24 acts of gun violence on K-12 campuses during the school day.

The count now stands at more than 311,000 children at 331 schools.

The Post has found that at least 185 children, educators and other people have been killed in assaults, and another 369 have been injured. 

The Post’s search for more shootings will continue, and it’s possible reporters will locate additional incidents from previous years.

Hundreds of outlets cover the deadliest attacks, such as the Feb. 14 rampage at Marjory Stoneman Douglas High in Parkland, Fla., where a 19-year-old man with an AR-15 rifle killed 17 people.

Others are covered by a single newspaper, such as a 2001 shooting at Pearl C. Anderson Middle School in Dallas, where a 14-year-old boy held a revolver to a girl’s chest and asked her whether she was “ready to die” before a bullet fired, grazing her hand.

Even as the list of incidents has expanded, however, the trend lines have remained consistent.

Among The Post’s most important findings: the disproportionate impact of school shootings on children of color.